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GIRL ONE

Full of intriguing ideas that are poorly developed.

In her latest work of speculative fiction, the author of The Possessions (2017) creates a world in which women can conceive without men.

Josephine Morrow’s mother has disappeared and the house where she spent most of her childhood has been set on fire. The source of the fire is unknown, and the only clues to Josephine's mother Margaret Morrow’s whereabouts will send Josephine on a trip across the country and into her past—a past that Margaret has done her best to keep her daughter from investigating. Here is what Josie knows: She was born on the Homestead, a woman-only commune; she was the product of a virgin birth; and Dr. Joseph Bellanger helped her mother achieve parthenogenesis. As she searches for Margaret, Josie seeks out the other mothers who gave birth on the Homestead. She also reconnects with their daughters, a couple of whom join Josie on her journey. As these young women get to know each other, they discover that they all have superhuman abilities—telekinesis, controlling the minds of others, the power to heal. They also encounter a number of people who hate and fear them enough to want them dead. This is a difficult novel to categorize. It has science-fiction elements and its basic plot is that of a thriller, but it’s written in a style that is well suited to neither. Using first-person narration, Murphy spends a lot of time exploring Josie’s inner life, which is not nearly as interesting as her outer life. This novel also suffers from some serious plot holes. Josie and her companions assume that their powers are the result of parthenogenesis, but no one wonders why—like the X-Men or the Justice League—they each have a unique power. More importantly, Josie has devoted her life to replicating the work of Dr. Bellanger, but when she has the opportunity to ask those in a position to give her information about his techniques, she never asks any questions that might lead her to the truth. Some of the mysteries that drive the narrative are resolved, but its central secret remains a secret.

Full of intriguing ideas that are poorly developed.

Pub Date: June 1, 2021

ISBN: 978-0-374-60174-4

Page Count: 368

Publisher: MCD/Farrar, Straus and Giroux

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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THE FAMILIAR

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.

Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

Pub Date: April 9, 2024

ISBN: 9781250884251

Page Count: 400

Publisher: Flatiron Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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FOURTH WING

From the Empyrean series , Vol. 1

Read this for the action-packed plot, not character development or worldbuilding.

On the orders of her mother, a woman goes to dragon-riding school.

Even though her mother is a general in Navarre’s army, 20-year-old Violet Sorrengail was raised by her father to follow his path as a scribe. After his death, though, Violet's mother shocks her by forcing her to enter the elite and deadly dragon rider academy at Basgiath War College. Most students die at the War College: during training sessions, at the hands of their classmates, or by the very dragons they hope to one day be paired with. From Day One, Violet is targeted by her classmates, some because they hate her mother, others because they think she’s too physically frail to succeed. She must survive a daily gauntlet of physical challenges and the deadly attacks of classmates, which she does with the help of secret knowledge handed down by her two older siblings, who'd been students there before her. Violet is at the mercy of the plot rather than being in charge of it, hurtling through one obstacle after another. As a result, the story is action-packed and fast-paced, but Violet is a strange mix of pure competence and total passivity, always managing to come out on the winning side. The book is categorized as romantasy, with Violet pulled between the comforting love she feels from her childhood best friend, Dain Aetos, and the incendiary attraction she feels for family enemy Xaden Riorson. However, the way Dain constantly undermines Violet's abilities and his lack of character development make this an unconvincing storyline. The plots and subplots aren’t well-integrated, with the first half purely focused on Violet’s training, followed by a brief detour for romance, and then a final focus on outside threats.

Read this for the action-packed plot, not character development or worldbuilding.

Pub Date: May 2, 2023

ISBN: 9781649374042

Page Count: 528

Publisher: Red Tower

Review Posted Online: Jan. 12, 2024

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