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DON'T CALL IT A CULT

THE SHOCKING STORY OF KEITH RANIERE AND THE WOMEN OF NXIVM

An incendiary, serpentine report on criminal manipulation of staggering proportions.

How a treacherous cult amassed a following under the guise of self-improvement.

Vancouver-based investigative journalist Berman front-loads her startling, comprehensive exposé on the NXIVM group with key information on how the association became popular yet remained elusive to law enforcement. She shares interview material from several members of a large cast of characters, including Clare and Sara Bronfman, heirs to the Seagram’s fortune who funded the organization for years (Clare is currently in prison). Berman tracks NXIVM “Vanguard” Keith Raniere’s history as an Amway distributor–turned–pyramid-sales executive. In the 1980s, he joined forces with former nurse Nancy Salzman (known as “Prefect”), and the duo promoted training and coaching programs geared toward women’s empowerment. Using a philosophical playbook influenced by Scientology and other similar groups, NXIVM began amassing members, each of whom was charged with recruiting others via classes called “intensives.” Bankrolled by the Bronfman sisters, who were cunningly exploited for their exorbitant wealth and strained familial relationships, the increasingly “dangerous mafia-like” society steamrolled its way into the lives of vulnerable, unsuspecting people, employing blackmail, extortion, forced confinement, and even sex trafficking. Raniere then created offshoots like the particularly insidious Dominus Obsequious Sororium. “By the time of his arrest,” writes Berman about DOS, “at least 102 women had been initiated into Raniere’s secret society. Not all of them had been branded, and not all of them had been coerced into sex, but court records and testimony would show that he considered all of them to be his slaves.” Not for the easily rattled, the author’s engrossing reportage meticulously reveals the tumultuous rise and fall of NXIVM after numerous criminal indictments and prosecutions. The author incorporates critical narratives from former members, laying bare their awful experiences. Her research, which eventually caused her to fear for her own personal safety, informs a vital cautionary tale about how “power, consent, and women’s agency” can be weaponized. File this alongside Lawrence Wright’s Going Clear and Jeff Guinn’s The Road to Jonestown.

An incendiary, serpentine report on criminal manipulation of staggering proportions.

Pub Date: April 20, 2021

ISBN: 978-1-58642-275-2

Page Count: 320

Publisher: Steerforth

Review Posted Online: Feb. 18, 2021

Kirkus Reviews Issue: March 15, 2021

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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