A charming, respectful examination of Freud’s work in comic form.
Boxer’s debut graphic novel takes a satirical look at Sigmund Freud by way of anthropomorphic animals who regularly see an avian psychoanalyst.
Mr. Bunnyman enters Dr. Floyd’s office and says that he’s hiding from a wolf that’s chasing him. The doctor believes the wolf is merely a symbol for Mr. Bunnyman’s deeper fears. But later, there’s a Mr. Wolfman at Dr. Floyd’s door who’s questioning his own identity. His father, he says, used to dress him up in lambskin, which he admits that he enjoyed. At his next appointment, Mr. Wolfman, dressed as a lamb, introduces his alter ego, “Lambskin.” Dr. Floyd insists on seeing them separately, so Mr. Wolfman routinely drops off the Lambskin costume at the office. It can talk but not move on its own; the doctor carries her to the couch for therapeutic discourse. Another recent patient is Rat Ma’am, a self-professed thief who fixates on returning a pair of glasses that she says she stole from Dr. Floyd—despite his assertion that he’s still wearing his own spectacles. There’s a bevy of material for the doctor to psychoanalyze, such as Mr. Wolfman’s apparent fear of castration and Lambskin’s discernible limpness. But when the patients’ increasingly complicated lives begin to intersect, it may be a bit too much for even Dr. Floyd to handle. Boxer explains in a preface that although she doesn’t “worship” Freud, neither does she condemn his work. Her book is an endlessly amusing parody of some of Freud’s real-life case histories, including the “Wolf Man” and the “Rat Man,” which Boxer meticulously details in concluding notes. The novel, however, has a hysterically off-kilter tone, particularly when it comes to Dr. Floyd’s literal-mindedness. For example, when Rat Ma’am’s sessions consist of giving the doctor crumbs of information about herself, he complains of the literal crumbs she’s leaving on his couch. Boxer’s line-art illustrations are appropriately stripped down—Dr. Floyd’s office is just a door and a couch—and the squiggly renderings of her characters make them appear animated.
A charming, respectful examination of Freud’s work in comic form.Pub Date: May 17, 2019
ISBN: 978-1-949093-18-6
Page Count: 160
Publisher: International Psychoanalytic Books
Review Posted Online: May 20, 2019
Kirkus Reviews Issue: July 1, 2019
Review Program: Kirkus Indie
BOOK REVIEW
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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