A charming, respectful examination of Freud’s work in comic form.
Boxer’s debut graphic novel takes a satirical look at Sigmund Freud by way of anthropomorphic animals who regularly see an avian psychoanalyst.
Mr. Bunnyman enters Dr. Floyd’s office and says that he’s hiding from a wolf that’s chasing him. The doctor believes the wolf is merely a symbol for Mr. Bunnyman’s deeper fears. But later, there’s a Mr. Wolfman at Dr. Floyd’s door who’s questioning his own identity. His father, he says, used to dress him up in lambskin, which he admits that he enjoyed. At his next appointment, Mr. Wolfman, dressed as a lamb, introduces his alter ego, “Lambskin.” Dr. Floyd insists on seeing them separately, so Mr. Wolfman routinely drops off the Lambskin costume at the office. It can talk but not move on its own; the doctor carries her to the couch for therapeutic discourse. Another recent patient is Rat Ma’am, a self-professed thief who fixates on returning a pair of glasses that she says she stole from Dr. Floyd—despite his assertion that he’s still wearing his own spectacles. There’s a bevy of material for the doctor to psychoanalyze, such as Mr. Wolfman’s apparent fear of castration and Lambskin’s discernible limpness. But when the patients’ increasingly complicated lives begin to intersect, it may be a bit too much for even Dr. Floyd to handle. Boxer explains in a preface that although she doesn’t “worship” Freud, neither does she condemn his work. Her book is an endlessly amusing parody of some of Freud’s real-life case histories, including the “Wolf Man” and the “Rat Man,” which Boxer meticulously details in concluding notes. The novel, however, has a hysterically off-kilter tone, particularly when it comes to Dr. Floyd’s literal-mindedness. For example, when Rat Ma’am’s sessions consist of giving the doctor crumbs of information about herself, he complains of the literal crumbs she’s leaving on his couch. Boxer’s line-art illustrations are appropriately stripped down—Dr. Floyd’s office is just a door and a couch—and the squiggly renderings of her characters make them appear animated.
A charming, respectful examination of Freud’s work in comic form.Pub Date: May 17, 2019
ISBN: 978-1-949093-18-6
Page Count: 160
Publisher: International Psychoanalytic Books
Review Posted Online: May 20, 2019
Kirkus Reviews Issue: July 1, 2019
Review Program: Kirkus Indie
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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