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JOY ENOUGH

A MEMOIR

A depressing and often cloying memoir that may hold some appeal for readers in similar circumstances with a penchant for...

A debut memoir focused on divorce and death.

Beginning with her own youth, essayist McColl, the founding editor-in-chief of Yahoo Food, notes that her mother was her “spiritual home,” and she venerates her mother on almost every page of the book. Looking back, the author recalls her mother as a colorful mixture of wisdom and sensuality whose role as a mother was perhaps the ultimate aspect of her personality. Her parents’ divorce shattered McColl’s world for a time, leaving her even more invested in her mother as her basis for stability. The author eventually married, beginning a long road to divorce. McColl’s descriptions of her ex-husband do not immediately elicit sympathy; the couple simply drifted apart, the husband toward his career, the wife toward her dying mother. “I loved my husband,” she writes, “and then I didn’t. Is that a story?” Throughout the book, the author sets her narration against the backdrop of her mother’s illness, an era that clearly affected nearly everything else in her life. Her mother’s eventual death left McColl with “a roiling grief” so great and traumatic that she even decided against her therapist’s suggestion of a grief counseling group: “Someone else might know loss, but no one could understand mine.” Though poignant in spots, the book is nearly devoid of hope or significant life lessons; it is ultimately a study in sadness and seemingly relentless unhappiness brought on by chronic grief and relational ennui. As a writer, McColl is introspective and attempts to be inventive, but much of the prose demonstrates an author trying too hard: “The sound of fireworks in the distance. Here, fireflies. I wanted to tie myself up in his arms and he wanted to be the rope.”

A depressing and often cloying memoir that may hold some appeal for readers in similar circumstances with a penchant for dwelling on heartache.

Pub Date: Jan. 15, 2019

ISBN: 978-1-63149-470-3

Page Count: 160

Publisher: Liveright/Norton

Review Posted Online: Oct. 21, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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