by Sarah Payne Stuart ‧ RELEASE DATE: June 12, 2014
Satire at its finest.
A writer’s wickedly droll account of how she came to terms with her WASP heritage and the impossible expectations of “mother” New England.
With its “pristine town center, gleaming with historically correct colors,” Stuart’s (My First Cousin Once Removed: Money, Madness, and the Family of Robert Lowell, 1998, etc.) hometown of Concord, Massachusetts, seemed the embodiment of perfection. But as Stuart well knew, high-flying moral pretensions, hypocrisy, and an insatiable hunger for social prestige and high-priced real estate bubbled just beneath the deceptively charming surface. In this wry memoir, the author explores her relationship with her hometown and with a whole host of Concord notables, from Ralph Waldo Emerson and Nathanial Hawthorne to Louisa May Alcott, whose fictional mother Marmee—and the perpetually miserable Alcott matriarch on whom she was based—represents everything good and bad about New England culture. A rebel who defied the WASP values of thrift, practicality and quiet snobbery, Payne fled Concord for New York after an early marriage. Yet within 10 years of leaving, her longing to return home became “obsessive.” Concord had “become a kind of utopia, where [she] would give her children the perfect childhood.” It also became a personal testing ground where she fantasized she could engage in error-free parenting while earning the approval of her own mother and father. Instead, Stuart found herself moving into larger and larger homes she and her husband could not afford and joining exclusive social clubs, all in the name of maintaining the facade of WASP success. Seeking enlightenment about her dilemmas and compulsions, the author examines her family’s personal history as well as Concord literary history. She learned that her pattern of feeling guilt and smugness on the one hand and seeing nonexistent coziness on the other were part of a heritage best survived through self-deprecating humor.
Satire at its finest.Pub Date: June 12, 2014
ISBN: 978-1-59463-181-8
Page Count: 320
Publisher: Riverhead
Review Posted Online: May 6, 2014
Kirkus Reviews Issue: May 15, 2014
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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