by Sarah Stark ‧ RELEASE DATE: April 21, 2014
An ambitious novel with a distinct narrator and fresh voice.
A quirky war veteran goes on a pilgrimage to meet his hero, the author Gabriel García Márquez, in this poetic debut novel.
Jefferson Long Solider has returned home after two tours in Iraq. The young veteran steps off a plane in Albuquerque, N.M., and begins to chant, “I am Jefferson Long Soldier, and I am returned from WA-AR.” It’s the first of many chanting scenes in a journey steeped in elements of magical realism, echoing Jefferson’s obsession with García Márquez’s 1967 novel One Hundred Years of Solitude. He carries the book with him wherever he goes, refers to its author as “GGM” and is certain that it has saved his life. His grandmother Esco and his cousin Nigel welcome him home and anxiously wait to see how the war has changed him. While in Iraq, Jefferson began to record each death he witnessed, and the list begins to haunt him; what should be a triumphant return from war becomes a painful, restless ordeal. Jefferson finds Dr. Monika, an unorthodox “pseudo-doctor” who allows him to chant and talk about his transformative belief in García Márquez’s novel, after which he finds his next step is clear: He must ride Nigel’s motorcycle to Mexico City and see the author in person. Stark presents a largely interior journey, with long passages describing the landscape (“Jefferson could think of nothing in the world he wanted to do as he gazed at the snow-tipped mountains way off in the distance”) and ruminating on García Márquez’s work, although the best storytelling occurs during scenes of action. Jefferson’s adventures are often dreamlike, and some may actually be dreams: At one point, he’s captured by bandits and nearly executed; at others, he’s fed and loved by beautiful twin women and helps a mother deliver a baby in a forest. As the lines blur between Jefferson’s physical journey and his spiritual quest, he eventually finds a purpose for all his stories. The novel’s textual dialogue with One Hundred Years of Solitude is significant, and it’s an ambitious conceit. However, readers who aren’t familiar with that masterpiece may get mired in the details, as Jefferson’s own life story sometimes gets lost. Still, the story’s happy ending is richly deserved.
An ambitious novel with a distinct narrator and fresh voice.Pub Date: April 21, 2014
ISBN: 978-0991410507
Page Count: 288
Publisher: Leaf Storm Press
Review Posted Online: April 15, 2014
Review Program: Kirkus Indie
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by Margaret Atwood ‧ RELEASE DATE: Sept. 10, 2019
Suspenseful, full of incident, and not obviously necessary.
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Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
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edited by Margaret Atwood & Douglas Preston
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Chinua Achebe ‧ RELEASE DATE: Jan. 23, 1958
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
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