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THE WORDY SHIPMATES

At times dense, at times silly, at times surpassingly wise.

NPR contributor Vowell (Assassination Vacation, 2005, etc.) takes a hard but affectionate look at the legacy of those doughty, slightly deranged Puritans who landed in the New World in 1630.

Fans will be pleased to see that Vowell’s admittedly smart-alecky style is alive and well: It’s not every historical monograph that tosses together Anne Hutchinson and Nancy Drew, Dolly Parton and John Endecott. The author’s characteristic devotion to detail is also evident. Previously she was obsessed with America’s political assassinations; here she pores over the texts—the many texts—of the principals who interest her: John Cotton, John Winthrop and Roger Williams, in addition to the aforementioned Hutchinson and Endecott. She likes to visit the places most relevant to her subjects too; we learn, for instance, that a Boston jewelry store now occupies the site where Mistress Anne’s house once stood. Vowell examines what she sees as the cascading effects of the Puritans’ arrival, drawing a straight line from Massachusetts Bay to Abu Ghraib. She continually bashes the current President Bush, points out the tarnish that others seem to ignore on the well-burnished image of President Reagan (who patently lied about Iran-Contra) and ends with a paean to JFK. This approach can be jarring, as the author yanks readers back and forth between recent and colonial history from Charlie’s Angels to the Visible Saints. Still, she dives into dense Puritan sermons and self-flagellating journal entries to emerge, generally, with a bit of truth. She chides us for careless use of the word Puritan and disdain for public intellectuals. “The downside of democracy, she finds, is “a suspicion of people who know what they are talking about.” In the end, she admires Winthrop’s surprising tenderness, Hutchinson’s chatterbox courage.

At times dense, at times silly, at times surpassingly wise.

Pub Date: Oct. 7, 2008

ISBN: 978-1-59448-999-0

Page Count: 272

Publisher: Riverhead

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2008

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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