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THE REAL LOLITA

THE KIDNAPPING OF SALLY HORNER AND THE NOVEL THAT SCANDALIZED THE WORLD

A tantalizing, entertaining true-life detective and literary story whose roots were hidden deep in a novel that has...

True crime meets classic American literature.

Lolita wasn’t always considered the great work of literature it has become. Journalist Weinman (editor: Women Crime Writers: Eight Suspense Novels of the 1940s and ’50s, 2015, etc.), who covers the book publishing industry for Publishers Marketplace, describes the struggles Vladimir Nabokov endured trying to find a publisher for his novel about Humbert Humbert’s desire for and abduction of the young Lolita until the notorious Olympia Press published it overseas in 1955. Weinman also recounts the story of journalist Peter Welding’s 1963 article in the men’s magazine Nugget. He argued that the story of 11-year-old Sally Horner’s abduction in 1948 by mechanic Frank La Salle, who claimed for 12 months that she was his daughter, paralleled the Lolita story “much too closely to be coincidental.” Weinman’s book is about her quest to “figure out what [Nabokov] knew about Sally Horner and when he knew it.” Nabokov always denied any real-life influences. Like any good detective, Weinman visited the places Sally visited, talked to people who knew her and La Salle, and visited the schools Sally attended. At times, the author relies on her imagination to re-create Sally’s story: Did Sally imagine escaping; did she pray? In alternating chapters, Weinman recounts the 20-year genesis of Nabokov’s novel, which “emerged piecemeal.” She explores how he and his wife often traveled the country, staying at motels and searching for butterflies, all the while composing Lolita on index cards. The author also draws attention to an August 1952, newspaper article about Sally’s death at 15 and the notes Nabokov took about it. Here, she writes, “is proof that her story captured his attention.” Ultimately, “Lolita’s narrative...depended more on a real-life crime than Nabokov would ever admit.”

A tantalizing, entertaining true-life detective and literary story whose roots were hidden deep in a novel that has perplexed and challenged readers for decades.

Pub Date: Sept. 11, 2018

ISBN: 978-0-06-266192-0

Page Count: 320

Publisher: Ecco/HarperCollins

Review Posted Online: June 11, 2018

Kirkus Reviews Issue: July 1, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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