A tantalizing, entertaining true-life detective and literary story whose roots were hidden deep in a novel that has...

THE REAL LOLITA

THE KIDNAPPING OF SALLY HORNER AND THE NOVEL THAT SCANDALIZED THE WORLD

True crime meets classic American literature.

Lolita wasn’t always considered the great work of literature it has become. Journalist Weinman (editor: Women Crime Writers: Eight Suspense Novels of the 1940s and ’50s, 2015, etc.), who covers the book publishing industry for Publishers Marketplace, describes the struggles Vladimir Nabokov endured trying to find a publisher for his novel about Humbert Humbert’s desire for and abduction of the young Lolita until the notorious Olympia Press published it overseas in 1955. Weinman also recounts the story of journalist Peter Welding’s 1963 article in the men’s magazine Nugget. He argued that the story of 11-year-old Sally Horner’s abduction in 1948 by mechanic Frank La Salle, who claimed for 12 months that she was his daughter, paralleled the Lolita story “much too closely to be coincidental.” Weinman’s book is about her quest to “figure out what [Nabokov] knew about Sally Horner and when he knew it.” Nabokov always denied any real-life influences. Like any good detective, Weinman visited the places Sally visited, talked to people who knew her and La Salle, and visited the schools Sally attended. At times, the author relies on her imagination to re-create Sally’s story: Did Sally imagine escaping; did she pray? In alternating chapters, Weinman recounts the 20-year genesis of Nabokov’s novel, which “emerged piecemeal.” She explores how he and his wife often traveled the country, staying at motels and searching for butterflies, all the while composing Lolita on index cards. The author also draws attention to an August 1952, newspaper article about Sally’s death at 15 and the notes Nabokov took about it. Here, she writes, “is proof that her story captured his attention.” Ultimately, “Lolita’s narrative...depended more on a real-life crime than Nabokov would ever admit.”

A tantalizing, entertaining true-life detective and literary story whose roots were hidden deep in a novel that has perplexed and challenged readers for decades.

Pub Date: Sept. 11, 2018

ISBN: 978-0-06-266192-0

Page Count: 320

Publisher: Ecco/HarperCollins

Review Posted Online: June 12, 2018

Kirkus Reviews Issue: July 1, 2018

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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