Next book

A GOOD DISTANCE

Carefully crafted, dreary third from Willis (The Rehearsal, 2001, etc.).

Dying mother, guilt-stricken daughter.

Having fun yet? Jennifer certainly isn’t, and neither is her second husband Todd. Jazz, her teenaged daughter from the first marriage, makes caustic remarks and flounces around. No one is happy. Yet Jennifer keeps her Alzheimer’s-afflicted mother at home, in hopes of atoning for some unnamed sin of hers and of somehow making up for Rose’s difficult, Depression-era–haunted life. Rose seldom recognizes even the most familiar faces anymore, and confuses Jennifer and Jazz. Her memories intertwine with Jennifer’s narrative, not that either woman ever amounted to much or did (or does) anything out of the ordinary. A remember-this, remember-that singsong deadens the clipped prose, abetted by grim or portentous details: Remember when Nana had her first stroke. Remember how we used to make love. Remember the dinosaurs at the museum. Finally, Todd is discovered going on-line to chat with old school friends. Jennifer asks, in measured tones, whether some of them are women. Yes. But he isn’t having an affair. Yet. Will he? Todd feels left out. Isn’t he special to her anymore? He used to feel special, like he was the only one who could figure her out. She was so mysterious and stuff. A powerful, inexplicable feeling suddenly swells inside her. Could it be love? They embrace. Yes. It is love. Jennifer even says so. Out loud. Todd is mollified. One epiphany follows another: Jennifer realizes it’s time to put her mother in a home. But, first, more remember-this, remember-that. The secret sin is revealed. Nothing much to it, but still. And so life goes on. Her mother lingers in the nursing home for two more years, then dies. Funeral guests say kind things. The cold weather makes people shiver. What does it all mean?

Carefully crafted, dreary third from Willis (The Rehearsal, 2001, etc.).

Pub Date: April 6, 2004

ISBN: 0-425-19426-4

Page Count: 320

Publisher: Berkley

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2004

Categories:
Next book

MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

Categories:
Next book

THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

Categories:
Close Quickview