An entertaining portrayal of the esoteric world of chess.
Journalist Chapin makes his book debut with a spirited memoir about his obsession with chess, a game that occupied him for two peripatetic years.
The author first played in high school, when he joined the Pawnishers, “an after-school pack of sweaty teenage boys,” motivated less by a desire to play chess than to “belong to some kind of cadre. Having a ready-made, highly ostentatious identity was socially useful.” Soon, however, he was seduced by the challenge of the game, honing his strategy from Wikipedia and through online matches. He exulted in beating his brilliant older brother, a triumph that proved short-lived when his brother sharpened his own skills. Defeated, Chapin gave up the game until, years later, he sat down at a chess board in the streets of Kathmandu. Quickly, “that old chess feeling was returning—the dizzy pleasure of the potential maneuvers” inviting him “into a tumultuous arena of mental conflict.” That encounter set him off on a quest to become a chess master, with the goal of competing successfully in the Los Angeles Open, an achievement “that would represent a violent assault against the limits of my truly meagre talent.” At the time he reconnected with chess, Chapin was experiencing a vocational crisis, “not entirely convinced by the validity” of being a writer, feeling like “a parasite on my own life. Any compelling character I meet,” he confesses, “excites me not only because they’re exciting but also because I might describe them profitably.” Chess proved to be a great distraction and, soon, an addiction. He joined a chess club and entered competitions in his native Toronto, studied with a “charismatic, frank, and viciously funny” grandmaster in St. Louis, and flew to India, “where chess was born,” to enter a tournament. The author infuses the narrative with exuberant, often funny, anecdotes; glimpses of strategy; and lyrical reflections on why “chess is about the most human thing you can do.”
An entertaining portrayal of the esoteric world of chess.Pub Date: Aug. 13, 2019
ISBN: 978-0-385-54517-4
Page Count: 224
Publisher: Doubleday
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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