FOR SMALL CREATURES SUCH AS WE

RITUALS FOR FINDING MEANING IN OUR UNLIKELY WORLD

Profound, elegantly written ruminations on the exquisite splendors of life enjoyed through a secular lens.

The daughter of the prestigious “astronomer of the people” offers ethereal wisdom and worldly guidance based on the philosophy of her parents.

Sagan’s debut, a lushly written amalgam of memoir and manual, traces her life as the daughter of Carl and writer/producer Ann Druyan and how she came to appreciate the wonder in the everyday. Raised in a secular household, the author was educated through straightforward scientific explanations, but her father’s death when she was just 14 left more questions than answers. More than two decades later, she carries on his guiding principles within her own family. In her first book, she ponders a variety of rapturous events, milestones, ancestral influences, and sage affirmations on life and death. The author offers commentary on her and her husband’s semi-sacred daily rituals, affording readers intimate glimpses into their coupling, wedding ceremony, joyful togetherness, misunderstandings, and sweet reconciliations. She shares fond memories of her family home, where world history frequently became an educational opportunity, and reveals the reverent methods she now employs to spiritually reconnect with the memory of her beloved father. Sagan’s narrative is heavily steeped in rituals: lighting candles, costuming, or meditating on and celebrating significant events and milestones in her life. Early in the book, the author remarks on the staunch secularity of her parents, an independent perspective and lifestyle passed down to her and her family. She open-mindedly explores the differences between those who have become ossified by religious protocol and those who rejoice in unfettered enjoyment of the natural world and the science underlying nature’s beauty. “Religion, at its best, facilitates empathy, gratitude, and awe,” she writes. “Science, at its best, reveals true grandeur beyond our wildest dreams. My hope is that I can merge these into some new thing…as we navigate—and celebrate—the mysterious beauty and terror of being alive in our universe.”

Profound, elegantly written ruminations on the exquisite splendors of life enjoyed through a secular lens.

Pub Date: Oct. 22, 2019

ISBN: 978-0-7352-1877-2

Page Count: 288

Publisher: Putnam

Review Posted Online: Aug. 6, 2019

Kirkus Reviews Issue: Sept. 1, 2019

THE 48 LAWS OF POWER

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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