This intelligent, psychologically acute and truly spooky ghost story is an entertaining, impressive debut.

WITHERED HOSTS

After tragedy strikes a young family, the survivors move to a new, creepy apartment, and they’re haunted by more than just their grief.

This absorbing novel begins like a well-written but not otherwise unusual story of a disintegrating marriage following the death of a young child, but it soon takes a spooky turn. Alison and Brian Graham are still in acute mourning when Brian impulsively sells their house and buys the plain and ugly Apartment 5F. With too much time on his hands thanks to a lucrative textbook contract, Brian drinks heavily, takes pills, tries to write his novel and pays sporadic attention to Emma, their young daughter. Alison, already a troubled, unhappy person (she cuts herself), sees her therapist to little avail and returns to work, but she moons over an old boyfriend. As the novel continues, strange, unsettling elements begin creeping in, at first subtly and then overtly. Comforting Emma after a nightmare, Brian makes out the face of a man in the darkness with expressionless black eyes, inches away. The vision disappears, but before Brian can dismiss it as a booze-and-pills hallucination, Emma confirms it: “You saw him, too…right, daddy?” In his debut novel, Bisig expertly builds tension, ratcheting up the horror as Brian—an unreliable narrator, but in what way?—spirals into what might be drugs, might be insanity, might be the supernatural. Bisig gets inside his characters’ heads brilliantly, making them understandable even when they are unsympathetic. His portrait of addictive thinking is spot-on: “[E]ven though he completely understood Dr. Shah’s advice to not drink and drug, the way Brian looked at it, that was intended for people who couldn’t handle their liquor.” Original, powerful images add to the novel’s impact—“their marriage was dangerous and unstable, like uranium or November ice”; “the drink cart demanded subtle attention, like a blinking cursor.”

This intelligent, psychologically acute and truly spooky ghost story is an entertaining, impressive debut.

Pub Date: Oct. 14, 2014

ISBN: 978-1500780951

Page Count: 342

Publisher: CreateSpace

Review Posted Online: Nov. 27, 2014

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

SUMMER ISLAND

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TRUE BETRAYALS

Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1995

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