Somewhat bland social commentary bookended by SF twists.
In Dikkers’ YA novel, a boy from 1950s America travels through time to the year 2020.
Twelve-year-old Patrick Stoodle lives in Cordial Falls, Nevada, in the year 1957. He’s an introverted boy who, when he’s not worrying about the H-bomb, fuels his imagination with SF comic books and radio programs. Meanwhile, he and his scientist father have an emotionally distant relationship. On Patrick’s birthday, however, his dad gives him the ultimate present—a journey through time to the year 2020. The boy is excited at first, but the experience doesn’t go as planned. America in the future has survived the threat of nuclear war, but there are people fighting in the streets, and a deadly virus is killing thousands. Worse, it turns out that Patrick’s whole life has been a lie: Cordial Falls, it turns out, was created by Patrick’s billionaire father to ease his son’s formative years. As Patrick tries to come to terms with life in 2020, a being claiming to be Jesus Christ appears on Earth, throwing the world into further disarray. Dikkers, a founding editor of The Onion and the creator of the comic strip “Jim’s Journal,” has an easygoing prose style and a good grasp of dialogue. Patrick and the other characters ring true, and the tempo of the story effectively ramps up over the course of its three major movements. However, it’s hard to pin down this work’s target audience. The 1950s time-capsule section seems more likely to appeal to nostalgic grandparents than to a young readership. The next section allows for a child’s view of modern society, but it features adult commentary as much as it does Patrick’s newly awoken impressions. The dénouement manifests as an invasion narrative that promotes rationalism over unthinking religious belief. As intriguing as the novel’s ideas are, they’re more edifying than enjoyable. Indeed, given the book’s title and Dikkers’ resume, readers may be surprised by the dearth of humor here. The only discernible joke is of the joke’s-on-you variety, as the narrative tackles the dark folly of humanity.
Somewhat bland social commentary bookended by SF twists.Pub Date: Oct. 9, 2020
ISBN: 979-8-69-574147-6
Page Count: 282
Publisher: Self
Review Posted Online: Dec. 8, 2020
Review Program: Kirkus Indie
A contemporary hero’s journey, brilliantly told.
The 17-year-old son of a troubled rock star is determined to find his own way in life and love.
On the verge of adulthood, Blade Morrison wants to leave his father’s bad-boy reputation for drug-and-alcohol–induced antics and his sister’s edgy lifestyle behind. The death of his mother 10 years ago left them all without an anchor. Named for the black superhero, Blade shares his family’s connection to music but resents the paparazzi that prevent him from having an open relationship with the girl that he loves. However, there is one secret even Blade is unaware of, and when his sister reveals the truth of his heritage during a bitter fight, Blade is stunned. When he finally gains some measure of equilibrium, he decides to investigate, embarking on a search that will lead him to a small, remote village in Ghana. Along the way, he meets people with a sense of purpose, especially Joy, a young Ghanaian who helps him despite her suspicions of Americans. This rich novel in verse is full of the music that forms its core. In addition to Alexander and co-author Hess’ skilled use of language, references to classic rock songs abound. Secondary characters add texture to the story: does his girlfriend have real feelings for Blade? Is there more to his father than his inability to stay clean and sober? At the center is Blade, fully realized and achingly real in his pain and confusion.
A contemporary hero’s journey, brilliantly told. (Verse fiction. 14-adult)Pub Date: Aug. 1, 2017
ISBN: 978-0-310-76183-9
Page Count: 464
Publisher: Blink
Review Posted Online: April 30, 2017
Kirkus Reviews Issue: May 15, 2017
PERSPECTIVES
A book that seamlessly brings readers along on a journey of impact and empowerment.
A manifesto for budding feminists.
At the core of this engaging novel are besties Chelsea, who is Irish- and Italian-American and into fashion and beauty, and Jasmine, who is African-American, loves the theater, and pushes back against bias around size (“I don’t need your fake compliments, your pity. I know I’m beautiful. Inside and out”). They and their sidekicks, half-Japanese/half-Lebanese Nadine and Puerto Rican Isaac, grow into first-class activists—simultaneously educating their peers and readers. The year gets off to a rocky start at their progressive, social justice–oriented New York City high school: Along with the usual angst many students experience, Jasmine’s father is terminally ill with cancer, and after things go badly in both their clubs, Jasmine and Chelsea form a women’s rights club which becomes the catalyst for their growth as they explore gender inequality and opportunities for change. This is an inspiring look at two strong-willed teens growing into even stronger young women ready to use their voices and take on the world, imploring budding feminists everywhere to “join the revolution.” The book offers a poetic balance of dialogue among the main characters, their peers, and the adults in their lives. The exquisite pacing, which intersperses everyday teen conflicts with weightier issues, demonstrates how teens long to be heard and taken seriously.
A book that seamlessly brings readers along on a journey of impact and empowerment. (resources for young activists, endnotes) (Fiction. 12-18)Pub Date: Feb. 12, 2019
ISBN: 978-1-5476-0008-3
Page Count: 368
Publisher: Bloomsbury
Review Posted Online: Jan. 22, 2019
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