by Scott Donaldson ‧ RELEASE DATE: Nov. 2, 1999
A tidy though somewhat tedious history of the literary rivalry and oft-fractured friendship between Ernest Hemingway and F. Scott Fitzgerald. Donaldson, biographer of Fitzgerald (1983) and John Cheever (1988), begins with a laborious introduction to his subjects” childhoods and early romances that limply attempts to draw striking parallels between the two men based upon such unexceptional experiences as problems with parents and love affairs ending disastrously. After this lamentable opening, however, Donaldson’s pacing and analysis improve markedly as he delineates the origins of the men’s friendship amidst the snappy decadence of the American expatriate community in 1920s Paris. With their world populated by the likes of Gertrude Stein, John Dos Passos, Archibald MacLeish, and the cream of the Parisian social scene, Hemingway and Fitzgerald moved, frolicked, and fought in the limelight both of their private social circles and a scrutinizing public eye. Tempers frequently flashed over their criticisms of each other’s works: Hemingway’s attack on Tender Is the Night and Fitzgerald’s suggested revisions for A Farewell to Arms are but two examples of their aggressive posturing, which stretched into long literary skirmishes. The many fracases the two men found themselves in, including Hemingway’s pummeling of critic Max Eastman and Fitzgerald’s alcohol-induced misadventures, provided the men with ample opportunities either to realign themselves as friends in mutual support or to distance themselves from each other. Even more, though, than their respective writings and celebrated social blunders, the friendship floundered over the question of reputation; as Fitzgerald succinctly stated, “I talk with the authority of failure—Ernest with the authority of success. We could never sit across the same table again.” Freed from Donaldson’s armchair psychoanalysis of his subjects, Hemingway Vs. Fitzgerald would emerge a cleaner and tighter history of the men, whose heady lives and harrowing words could well be left to tell their own story without such an intrusive authorial presence. (18 b&w photos)
Pub Date: Nov. 2, 1999
ISBN: 0-87951-711-5
Page Count: 316
Publisher: Overlook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1999
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by Chris Gardner with Quincy Troupe ‧ RELEASE DATE: June 1, 2006
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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by Richard Wright ‧ RELEASE DATE: Feb. 28, 1945
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
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by Richard Wright ; illustrated by Nina Crews
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