An entertaining, richly documented biography that will be appreciated by film and theater scholars as well as fans of these...

HANK AND JIM

THE FIFTY-YEAR FRIENDSHIP OF HENRY FONDA AND JAMES STEWART

A dual biography tracing the careers and 50-year friendship of two iconic American actors.

In his engrossing new book, biographer and film historian Eyman (John Wayne: The Life and Legend, 2014, etc.) vividly portrays the lives and work of two Hollywood legends: Henry Fonda (1905-1982) and James Stewart (1908-1997). As young actors, they worked together in regional theater with the University Players and eventually became roommates in New York. Upon moving to Hollywood, their individual careers took off, and their friendship continued to endure over the next several decades. Aside from political differences—Fonda was a Democrat, Stewart a Republican—they shared interests, core values, and personality traits that would distinguish them from many actors, including a highly disciplined approach to their work and an aversion to the superficial trappings of celebrity. “They were two loners who went off to see the world and remade component parts of it into their own images,” writes the author, “two fiercely private men who were quite capable of confounding their own families….In their friendship they created a safe place for themselves, away from the fears and frustrations of their careers, their domestic problems, the responsibilities of their legendary status.” While their long-standing friendship is notable, in tracing their personal lives and accomplishments, Eyman’s narrative is even more compelling. He provides a fascinating overview of the industry and the ebbs and flows of his subjects’ careers in film, on stage, and eventually TV (Fonda ultimately felt more at home on stage, while Stewart preferred working on film. Additionally, the author offers in-depth portrayals of key industry players who would remain their close associates, including writer/director Josh Logan, agent/producer Leland Hayward, and Fonda’s first wife, Margaret Sullavan, the talented, somewhat troubled actress for whom both actors shared a lasting, deep affection until her death. Of further note were their individual military achievements in World War II, experiences that greatly influenced their lives and values throughout their remaining years.

An entertaining, richly documented biography that will be appreciated by film and theater scholars as well as fans of these memorable actors.

Pub Date: Oct. 24, 2017

ISBN: 978-1-5011-0217-2

Page Count: 416

Publisher: Simon & Schuster

Review Posted Online: Aug. 8, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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