Insightful, exhaustive and engrossing—a definitive portrait of the man and the legend.
A comprehensive and compelling examination of The Duke.
Hollywood biographer Eyman (Empire of Dreams: The Epic Life of Cecil B. DeMille, 2010, etc.) goes beyond a mere cataloging of film credits and biographical highlights to illuminate the process that transformed Marion Morrison (1907-1979) into cinema’s most enduring symbol of masculinity, John Wayne. The poor son of a diffident man and a difficult mother, Wayne enjoyed social success in his school career due to his good looks, winning manner and athletic prowess. However, after an injury ended his football scholarship at the University of Southern California, he angled his way into a job as a prop boy at various movie studios. His commanding height, strength and graceful bearing were noted by director Raoul Walsh, who cast him in a small role, which led to a mostly undistinguished career cranking out generic, low-budget Westerns for Poverty Row studios such as Monogram and Republic. Eyman vividly evokes the humiliation and difficulty of those years in the trenches, where the canny Wayne devoted himself to learning every aspect of moviemaking and performing effectively for the camera. When John Ford gave Wayne his big break in Stagecoach (1939), the actor was ready. Eyman devotes much attention to the complicated but rewarding relationship between Wayne and Ford—the two would partner on an astonishing number of classic films—which would cement Wayne’s image in the public mind as film’s pre-eminent avatar of American manhood. Wayne’s personal life was as full of incident as his roles, including a tempestuous series of marriages, a long-term affair with screen siren Marlene Dietrich and controversy surrounding his conservative political views. Throughout, Eyman portrays Wayne as a man of hidden dimensions: a regular guy who liked to smoke and drink with his buddies and who was also a formidable chess player; a controlling figure on the set also capable of tremendous kindness and generosity; and an untrained actor who mastered the art of film performance.
Insightful, exhaustive and engrossing—a definitive portrait of the man and the legend.Pub Date: April 1, 2014
ISBN: 978-1-4391-9958-9
Page Count: 512
Publisher: Simon & Schuster
Review Posted Online: April 9, 2014
Kirkus Reviews Issue: May 1, 2014
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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