Gummer has found rich territory for satire, but he never decides if his take should be wacky or more nuanced.
Suburban Little League fields become a metaphor for adult squabbles in this comic novel.
Ben, the hero of Gummer’s fiction debut, is an unlikely candidate for the role of inspirational coach of a Little League squad in suburban northern California. Unlike his late father, who guided plenty of young athletes in the town of Palace Valley, Ben extracted himself from baseball as a child and instead became a builder of fine furniture in New York City, where he lived with his wife, Jili, and three kids. But after Jili’s mother falls ill, the brood heads back west, and Ben has to confront dad’s legacy and the memory of teenage slights. Much of the book is structured around comic set pieces built around stereotypical characters: the alluring mom who may be trying to put Ben in a compromising position, the hotheaded Little League coach who runs his team like Patton and the star pitcher who’s full of attitude and disdain. Such archetypes would be more tolerable if the novel didn’t shift so erratically between sincerity and broad comedy. Ben has enough intellect and emotional depth to make him more than just a sputtering dolt when he’s left to take the reins of a team, and the back story of Ben and Jili’s efforts to keep their family together in the midst of a big move and a death in the family are well drawn. But though the novel initially seems to aspire to become a seriocomic study of suburbia in the mode of Tom Perrotta, it ultimately collapses into fluffier, family-movie fare. Unlikely, shticky predicaments abound, such as the appearance of a big-name pop star in Ben’s studio, and a subplot involving a shocking confession by a famous ballplayer goes nowhere. Worse, in Palace Valley, people nurse their high-school wounds to an absurd degree, which makes the climatic conflict between Ben and the bullying coach feel forced and cartoonish. The closing chapters hit plenty of feel-good buttons, but they’re too carefully machined to have much of an effect.
Gummer has found rich territory for satire, but he never decides if his take should be wacky or more nuanced.Pub Date: April 12, 2011
ISBN: 978-1-4516-0917-2
Page Count: 224
Publisher: N/A
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: Jan. 15, 2011
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
