Gummer has found rich territory for satire, but he never decides if his take should be wacky or more nuanced.
Suburban Little League fields become a metaphor for adult squabbles in this comic novel.
Ben, the hero of Gummer’s fiction debut, is an unlikely candidate for the role of inspirational coach of a Little League squad in suburban northern California. Unlike his late father, who guided plenty of young athletes in the town of Palace Valley, Ben extracted himself from baseball as a child and instead became a builder of fine furniture in New York City, where he lived with his wife, Jili, and three kids. But after Jili’s mother falls ill, the brood heads back west, and Ben has to confront dad’s legacy and the memory of teenage slights. Much of the book is structured around comic set pieces built around stereotypical characters: the alluring mom who may be trying to put Ben in a compromising position, the hotheaded Little League coach who runs his team like Patton and the star pitcher who’s full of attitude and disdain. Such archetypes would be more tolerable if the novel didn’t shift so erratically between sincerity and broad comedy. Ben has enough intellect and emotional depth to make him more than just a sputtering dolt when he’s left to take the reins of a team, and the back story of Ben and Jili’s efforts to keep their family together in the midst of a big move and a death in the family are well drawn. But though the novel initially seems to aspire to become a seriocomic study of suburbia in the mode of Tom Perrotta, it ultimately collapses into fluffier, family-movie fare. Unlikely, shticky predicaments abound, such as the appearance of a big-name pop star in Ben’s studio, and a subplot involving a shocking confession by a famous ballplayer goes nowhere. Worse, in Palace Valley, people nurse their high-school wounds to an absurd degree, which makes the climatic conflict between Ben and the bullying coach feel forced and cartoonish. The closing chapters hit plenty of feel-good buttons, but they’re too carefully machined to have much of an effect.
Gummer has found rich territory for satire, but he never decides if his take should be wacky or more nuanced.Pub Date: April 12, 2011
ISBN: 978-1-4516-0917-2
Page Count: 224
Publisher: N/A
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: Jan. 15, 2011
BOOK REVIEW
This genuine page-turner offers a whiff of white liberal self-congratulation that won’t hurt its appeal and probably spells...
The relationships between white middle-class women and their black maids in Jackson, Miss., circa 1962, reflect larger issues of racial upheaval in Mississippi-native Stockett’s ambitious first novel.
Still unmarried, to her mother’s dismay, recent Ole Miss graduate Skeeter returns to Jackson longing to be a serious writer. While playing bridge with her friends Hilly and Elizabeth, she asks Elizabeth’s seemingly docile maid Aibileen for housekeeping advice to fill the column she’s been hired to pen for a local paper. The two women begin what Skeeter considers a semi-friendship, but Aibileen, mourning her son’s recent death and devoted to Elizabeth’s neglected young daughter, is careful what she shares. Aibileen’s good friend Minnie, who works for Hilly’s increasingly senile mother, is less adept at playing the subservient game than Aibileen. When Hilly, an aggressively racist social climber, fires and then blackballs her for speaking too freely, Minnie’s audacious act of vengeance almost destroys her livelihood. Unlike oblivious Elizabeth and vicious Hilly, Skeeter is at the verge of enlightenment. Encouraged by a New York editor, she decides to write a book about the experience of black maids and enlists Aibileen’s help. For Skeeter the book is primarily a chance to prove herself as a writer. The stakes are much higher for the black women who put their lives on the line by telling their true stories. Although the exposé is published anonymously, the town’s social fabric is permanently torn. Stockett uses telling details to capture the era and does not shy from showing Skeeter’s dangerous naïveté. Skeeter’s narration is alive with complexity—her loyalty to her traditional Southern mother remains even after she learns why the beloved black maid who raised her has disappeared. In contrast, Stockett never truly gets inside Aibileen and Minnie’s heads (a risk the author acknowledges in her postscript). The scenes written in their voices verge on patronizing.
This genuine page-turner offers a whiff of white liberal self-congratulation that won’t hurt its appeal and probably spells big success.Pub Date: Feb. 10, 2009
ISBN: 978-0-399-15534-5
Page Count: 464
Publisher: Amy Einhorn/Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2009
As Jessie Burlingame lies handcuffed to her bed in Gerald's Game (p. 487), she recalls how, on the clay 30 years ago that her dad molested her, she had a vision of a woman—a murderer?—at a well King explains that vision here: Dolores Claiborne is the woman, and her story of how she killed her husband, and the consequences, proves a seductively suspenseful, if quieter, complement to Jessie's shriek-lest of a tale. The garotte-tight Gerald's Game is one of King's most stylish novels, and the Maine author flexes more stylistic muscle here, having feisty Dolores tell her tale in a nonstop monologue, rich in Down East dialect, that steadily gathers force. Dolores, 65, is speaking to Andy Bissette, sheriff of the island offshore Maine where she's lived her life, most of it as housekeeper for Vera Donovan, a wealthy "bitch." We soon learn that Dolores has a confession to make—in her own sweet time ("I feel a draft in here, Andy. Might go away if you shutcha goddamn trap"). Amidst details—often crudely funny—of her power-plays with Vera, and of her early life, we learn how, years back, Dolores's rotten husband began molesting their teenaged daughter, then stole her college funds. Dolores's retribution—the killing—forms the story's centerpiece, and, taking place on the same day that Jessie's dad molested her, forges the psychic bond—neither elaborated on nor explained—between the two women. It's Dolores's final years with Vera, though, and the bitter manner of Vera's death, that have brought Dolores to the sheriff—and that ultimately transform this, like Gerald's Game, into a devastating tale of heroism in the face of life's suffering. Without the flash and twisted fun of Gerald's Game, this may not sell as well (despite a 1.5 million first printing); but Dolores is a brilliantly realized character, and her struggles will hook readers inexorably.
Pub Date: Dec. 7, 1992
ISBN: 0451177096
Page Count: 352
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
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