A worthy read for space buffs, to say nothing of anyone contemplating a voyage to the stars.

ENDURANCE

A YEAR IN SPACE, A LIFETIME OF DISCOVERY

A four-time veteran of off-planet missions, including a year aboard the International Space Station, offers a view of astronautics that is at once compelling and cautionary.

Why go into space in the first place? Kelly ponders that existential question early on, the whys and wherefores of entering into the strangest of strange environments and potentially suffering all manner of consequences. He replies, “I have a few answers I give to this question, but none of them feels fully satisfying to me.” Among those answers, perhaps, are because it’s extremely exciting to go where no one—very few people, anyway—has gone before, and after all, Kelly still holds the American record for consecutive days spent in outer space. Naturally, that comes at a cost; his book opens with an alarming portrait of edema, rashes, and malaise, and hence another answer emerges: we can’t go to, say, Mars without understanding what space flight does to a human body. Some of Kelly’s descriptions seem a little by-the-numbers, the equivalent of a ball player’s thanking the deity for a win—a spacegoing colleague is “sincere and enthusiastic without ever seeming fake or calculating,” while a Russian counterpart is “a quiet and thoughtful person, consistently reliable.” Nonetheless, Kelly’s book shines in its depiction of the day-to-day work of astronautics and more particularly where that work involves international cooperation. On that score, there’s no better account of the cultural differences between Right Stuff–inculcated NASA types and Yuri Gagarin–inspired cosmonauts: “One difference between the Russian approach to spacewalking and ours,” he writes, “is that the Russians stop working when it’s dark.” It’s fascinating stuff, a tale of aches and pains, of boredom punctuated by terror and worries about what’s happening in the dark and back down on Earth.

A worthy read for space buffs, to say nothing of anyone contemplating a voyage to the stars.

Pub Date: Oct. 17, 2017

ISBN: 978-1-5247-3159-5

Page Count: 368

Publisher: Knopf

Review Posted Online: Aug. 7, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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