Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Next book

THE EERIE PRODIGY

A thoughtfully rendered story about the twin attractions of art and love.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

A young musical prodigy wrestles with the burden of his rare talent in Openshaw’s (A Single Flash of Light, 2011) novel.

Teenager Kevin Phillips began playing the piano around age 5, taught by his mother, and immediately displayed incredible ability. He lives on the east side of Erie, Pennsylvania, in a working-class neighborhood, and he’s seethingly resentful of his wealthier neighbors, particularly those who attend the prestigious Walcott Academy. However, his parents insist that he audition for admission there, and he’s accepted. There, he has trouble adjusting and making friends, despite his admiration for his piano teacher, Mr. Hildebrand. He’s infatuated with a beautiful senior, Greta Lindsay, but also disdainful of what he perceives as her life of facile privilege. After Kevin’s father loses his job, plunging the family into financial distress, Kevin becomes more uncomfortable with the distance between the wealth of his Walcott peers and his own modest circumstances. However, Kevin’s talent leads him to win several major piano competitions, preparing him for a serious music career. Also, he learns that there’s much more to Greta than his class-oriented caricature of her. He attends Boston University, mostly to be closer to Greta, who attends Brandeis, and he builds the beginnings of a brilliant future. But he’s ambivalent about the competitive and professional aspects of his artistic pursuits. Later on, after his wife, Madeline, suddenly dies in a tragic car accident, Kevin abandons his career, moves to Utah, and finds work with the Forest Service. He’s forced to reconsider his life choices yet again when, after 15 years apart, he’s reunited with Greta, now a divorced mother of two. Openshaw artfully and patiently builds the relationship between Kevin and Greta, and their bond functions as a microcosm of Kevin’s development as a person. The novel’s protagonist is shown to be proud of his talent but also resistant to letting it fully define him; early on, that principled yearning expresses itself as a kind of arrogant haughtiness, and later, it’s chastened into maturity. The author’s prose is simple and free of literary embellishment, and the dialogue rings true, capturing the sometimes-clumsy character of real human speech. Openshaw does have a tendency, however, to unleash dramatic, jarring plot twists that feel contrived. For example, at one point, Kevin’s father spontaneously decamps for California and finds a new job that suddenly brings the family impressive wealth—a windfall that’s all the more peculiar due to the fact that it’s largely unexplained. Similarly, Kevin’s romance with Madeline, his eventual wife, is developed so quickly that it seems more like a parenthetical than a full-fledged subplot, designed simply to expedite Kevin’s rejection of a musical career. Nevertheless, Kevin does emerge as an engaging figure—a real genius who genuinely pines for a sense of normality. And Greta, while a supporting player, is every bit as deep, with a complex life shaped by a trauma in her youth that forever haunts her.

A thoughtfully rendered story about the twin attractions of art and love.

Pub Date: April 13, 2011

ISBN: 978-1-4791-3903-3

Page Count: 303

Publisher: CreateSpace

Review Posted Online: Nov. 13, 2017

Categories:
Next book

MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

Categories:
Next book

THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

Categories:
Close Quickview