Simon’s boring trivialization of Chicago politics is a major disappointment after the phenomenally good Pretty Birds.
Horse-trading and headcounts consume Chicago’s aldermen as they choose a successor to their murdered mayor in NPR host Simon’s second novel (Pretty Birds, 2005).
The African-American mayor has been found dead at his desk. This opening inevitably revives memories of Harold Washington, Chicago’s only black mayor, also found dead at his desk, in 1987, from a heart attack. However, Simon has added a twist: His mayor has been poisoned. Somebody sprinkled nicotine distillate on the mayor’s pizza. Perhaps sensing that crime writing is not his forte, Simon moves the investigation to the back burner; this is not a whodunit. Sunny Roopini, the protagonist, has been sworn in as acting interim mayor. The 48-year-old Sunny, the mayor’s protégé, is an immigrant from India. He has two teenage daughters; his wife was recently gunned down at a currency exchange (she was an innocent bystander). Old trouper that he is, the genial Sunny continues the glad handing he has perfected during his years on the council. His ward is one of the city’s most diverse, and Sunny is the very model of a multicultural alderman; he has even added Italian dishes to the menu at the Indian restaurant he owns. Food matters here; the characters plough their way through a heap of ethnic specialties. Ethnicity matters too, in this city of 100 languages. But there is no racial animosity: In Simon’s Chicago, there’s good-humored accommodation. This makes the competition among the 50 aldermen to become the next mayor about as exciting as a pillow fight. Simon’s attempts to whip up some excitement are lame; one leading contender has been filmed taking a bribe (he acquits himself honorably), another confesses to having had sex with two male cops, part of his security detail. The climax is an interminable roll-call vote.
Simon’s boring trivialization of Chicago politics is a major disappointment after the phenomenally good Pretty Birds.Pub Date: March 18, 2008
ISBN: 978-1-4000-6557-8
Page Count: 432
Publisher: Random House
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Jan. 15, 2008
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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