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MAN IN THE WOODS

The depth of the characters, the questions they ask and the challenge they confront stay with the reader long after the...

In one of the richer efforts by the veteran novelist, a compelling setup and stunning conclusion compensate for the thematic navel gazing through the middle.

Spencer returns to the scene of A Ship Made of Paper (2003), a novel that elicited some of his best reviews, bringing back writer Kate Ellis, her daughter, Ruby, and their hometown of Leyden, N.Y. Yet this novel isn’t exactly a sequel and can be read independently of the earlier work. Its protagonist is Paul Phillips, a master craftsman who refuses to compromise either his carpentry or his principles. He has become Kate’s lover and a surrogate father to Ruby after doing some work at their house. The divorced Kate, previously a newspaper reporter, is now the bestselling author of Prays Well with Others, an inspirational account of her recovering alcoholism and embrace of faith. With hints of Elizabeth Gilbert and Anne Lamott in “her kind of Christianity, one that includes a fair amount of swearing and swagger, left-of-center politics, and all the sex your average heathen would enjoy,” she has come to believe that her life has a plan, purpose and meaning, and that the love she shares with Paul is an essential part of that divine will. A Dostoyevskian complication drives the plot, as chance (or is it fate?) leads Paul to tragedy—an encounter with a stranger in the woods, a man beating his dog, that will change the lives of all concerned and upset the delicate balance that Kate and Paul have come to believe is their destiny. Ultimately, the novel’s title could refer as much to Paul, who must come to terms with the man he has become, after he did what he never believed he could. What seems to some like “a universe in which the pieces fit together beautifully” just might be “a universe where nothing is guaranteed and nothing can stop bad things from happening.”

The depth of the characters, the questions they ask and the challenge they confront stay with the reader long after the conclusion.

Pub Date: Sept. 14, 2010

ISBN: 978-0-06-146655-7

Page Count: 320

Publisher: Ecco/HarperCollins

Review Posted Online: June 4, 2010

Kirkus Reviews Issue: July 1, 2010

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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