A gritty and honest look at the painful truths that teens and adults must face.
Cunningham offers a novel centered on the experiences of elite high school wrestlers.
Connor Castaway and Drummer Washington are two talented wrestlers and friends who are seniors at First Landing High School in Virginia Beach. They struggle with various challenges off the mat, as well as the stress of wrestling for a highly competitive coach, known to all as “Coach Wild,” who also happens to be Drummer’s father. Both boys live in one-parent homes: Connor’s father died the previous summer, and Drummer’s mother left the family home some time ago.As they train, the teens must also negotiate the social pressures of high school life. The toll of injuries on their bodies is significant, and they use opiates for pain management; they also have troubled relationships with girls, adding to their problems. One of the story’s most intriguing secondary players is the loathsome and privileged Jorby, who threatens Isla, Connor’s love interest.Cunningham effectively assembles a cast of flawed characters doing their best (or their worst) in an engaging story of people striving for different kinds of success. The adults in the boys’ lives are dealing with problems of their own, including addiction, career difficulties, loneliness, and infidelity. Assistant Coach Scarr is shown to be reeling from a demotion from his head coach position, while his wife is frustrated by his obsession with the sport and his inability to appreciate her own goals. “Coach Wild” is driven by a frenetic need to win at all costs, while Connor’s mother is lonely and just trying to cope. The work also stresses how the boys’ dads had both enjoyed success as young wrestlers, and how the weight of expectation rests heavily on their sons.
A gritty and honest look at the painful truths that teens and adults must face.Pub Date: May 21, 2026
ISBN: 9798901741306
Page Count: 241
Publisher: Atmosphere Press
Review Posted Online: Feb. 23, 2026
Kirkus Reviews Issue: April 15, 2026
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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