Both a paean to the sci-fi genre and a captivating return to a space station in a complex universe.
This second volume in Sasaki’s (Welcome to the Madhouse, 2015) Grace Lord series finds the surgeon confronting a strange new intelligence and an old nemesis.
Following the defeat of a deadly virus in the first installment, Grace continues to serve on the medical space station Nelson Mandela, attending to soldiers of the Union of Solar Systems. As a normal routine returns to the lives of Dr. Hiro Al-Fadi (Grace’s boss) and Bud (a singularly capable and handsome android devoted to her), the station receives a visit from famous vid star and director Jude Luis Stefansson. When Grace meets Jude, she learns that he isn’t heroically gorgeous like his fictional creation, Jazz Hazard, but rather a regular, middle-aged man. Jude is at the station because he’s heard of a process by which the mind can be transferred to a robust, new android body. The staff informs him that the experimental technology is not for private use, for any price. Elsewhere, a ghostly presence stalks the station’s corridors, undetectable by the artificial intelligence running the Nelson Mandela. When a murder occurs outside the armory, thoughts turn to the vile Dr. Jeffrey Nestor, who’s sworn revenge on Grace and Bud for their roles in thwarting him during the viral outbreak. For this sci-fi sequel, Sasaki returns with all the winning elements that fans of Star Trekand Isaac Asimov should love, including a large, snarky cast; a robot conflicted by his burgeoning humanity; and animal-adapted soldiers (treated by the station’s dedicated doctors). Sasaki once more explores the ethics of sentient robots and expanded human consciousness in lines like “Does your android, who feels, thinks, remembers just like you, have any rights at all?” The author also treats lovers of sci-fi horror to a brief splatterfest reminiscent of the film Alienbut ultimately introduces a new intelligence to the cast. Throughout, Sasaki displays a propulsive inventiveness as she weaves grand ideas with humor and soul.
Both a paean to the sci-fi genre and a captivating return to a space station in a complex universe.Pub Date: Oct. 1, 2016
ISBN: N/A
Page Count: 365
Publisher: Oddoc Books
Review Posted Online: July 28, 2016
Kirkus Reviews Issue: Sept. 1, 2016
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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