Intelligent, subtle, minimalist stories by a promising young writer.

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YOUR SMALLEST BONES

A short story collection that explores its characters’ sensibilities with delicacy and precision.

Of these 12 stories, seven have been previously published, and two received Pushcart Prize nominations. Taylor (Everything to Do with You, 2010) sets his tales mostly in San Francisco, often among 20-somethings struggling to make it as they navigate relationships, work, and life’s alarums and excursions. The opening story, “Flight and Weightless,” is particularly successful: two young people were once a couple, but Maria stayed in Spokane, Washington, when the narrator returned to San Francisco. Now she’s dying of cancer, and he’s helping her fulfill a last wish—to push a grand piano onto a frozen lake so she can play it: “Thick spots [on the ice] sound like a chandelier reuniting with the ground.” In that sentence, everything depends on the unexpected but perfect “reuniting”—the chandelier’s fall (or the piano’s, or Maria’s) isn’t a disaster but a reunion. Taylor often achieves his lapidary style through similarly unexpected but fitting conjunctions; in the same story, the narrator wonders, “Who coined winter wonderland? Were they not aware of hypothermia and giving up, and goddamn Spokane?” The “and” phrases, as they move from the general to the particular (from cold weather to one couple’s breakup), nicely mirror how people personalize disaster. Some quirks, such as Taylor’s frequent interest in fingers and toes, add a surreal touch to these stories. The author seems aware of the danger that such a style can devolve into preciousness or portentousness, and in “Depluralize the Pair” he both enacts and criticizes this dynamic. His narrator proclaims, for example, that relationships “always progress or end in ceremonies. Divorce or marriage.” Or death, perhaps, or just tapering off? But if readers become irritated at this 20-something know-it-all narrator, the story subverts the situation by granting him some self-recognition as he gets older, with his knees creaking as he unloads the dryer: “We wanted everything to be art….We finally had to deal with something hard, that wasn’t artsy or youthful or innocent.”

Intelligent, subtle, minimalist stories by a promising young writer.

Pub Date: Nov. 20, 2014

ISBN: 978-0578152981

Page Count: 178

Publisher: Seventh Tangent

Review Posted Online: March 19, 2015

Kirkus Reviews Issue: April 15, 2015

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.

THE RESCUE

High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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