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WHEN A MONSTER IS BORN

In the fine tradition of Laura Numeroff’s If You Give a Mouse a Cookie (1985) and Remy Charlip’s Fortunately (1980) comes this British import sure to have little monsters everywhere asking to hear it again. “When a monster is born . . . there are two possibilities—either it’s a faraway-in-the-forests monster, or . . . it’s an under-your-bed monster.” If it’s the type that lives in the forest, that’s the end of the story . . . but if it lives under a bed, there are two further possibilities. Each double-page spread presents the next two possibilities in this ever sillier and eventually circular tale. Some might have difficulties with the concept of “possibilities,” but that won’t hamper their enjoyment. Even when noshing on the principal, Sharratt’s squiggly, bright-green monster is more cute than chilling. Sharratt’s heavy-lined cartoon illustrations are a perfect match for Taylor’s debut. Multiple typefaces will aid even the clumsiest readers in making this a storytime staple. (Picture book. 2-5)

Pub Date: June 1, 2007

ISBN: 978-1-59643-254-3

Page Count: 32

Publisher: Roaring Brook Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2007

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PERFECTLY NORMAN

From the Big Bright Feelings series

A heartwarming story about facing fears and acceptance.

A boy with wings learns to be himself and inspires others like him to soar, too.

Norman, a “perfectly normal” boy, never dreamed he might grow wings. Afraid of what his parents might say, he hides his new wings under a big, stuffy coat. Although the coat hides his wings from the world, Norman no longer finds joy in bathtime, playing at the park, swimming, or birthday parties. With the gentle encouragement of his parents, who see his sadness, Norman finds the courage to come out of hiding and soar. Percival (The Magic Looking Glass, 2017, etc.) depicts Norman with light skin and dark hair. Black-and-white illustrations show his father with dark skin and hair and his mother as white. The contrast of black-and-white illustrations with splashes of bright color complements the story’s theme. While Norman tries to be “normal,” the world and people around him look black and gray, but his coat stands out in yellow. Birds pop from the page in pink, green, and blue, emphasizing the joy and beauty of flying free. The final spread, full of bright color and multiracial children in flight, sets the mood for Norman’s realization on the last page that there is “no such thing as perfectly normal,” but he can be “perfectly Norman.”

A heartwarming story about facing fears and acceptance. (Picture book. 3-5)

Pub Date: May 1, 2018

ISBN: 978-1-68119-785-2

Page Count: 32

Publisher: Bloomsbury

Review Posted Online: March 3, 2018

Kirkus Reviews Issue: March 15, 2018

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THE RED BOOK

Simple, nicely drawn, and a friendly toast to the imagination.

A charming wordless tale about a magical red book and two unnamed children.

One child (quietly androgynous though called a girl by the flap copy) finds a red book lying in the city snow. She brings it to school and opens it to find a map of a warm island somewhere far away. Through a series of frames, the picture zooms in to show her a child on that island, also finding a red book (buried in the sand) and viewing the first child’s snowy city. Now his pictures zoom in and he finds her looking at him in the book and then out through the classroom window. They can see each other! After school, a purchase of many balloons carries the city child off to the island to meet her new friend who sees that she’s left the city and then, there she is—as seen in her book lying on the city sidewalk where she’s dropped it. As it closes, a new city child, who will presumably have an adventure too, picks it up.

Simple, nicely drawn, and a friendly toast to the imagination. (Picture book. 3-5)

Pub Date: Sept. 27, 2004

ISBN: 978-0-618-42858-8

Page Count: 32

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2004

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