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THE RESURRECTED MAN

Convincingly realized, with the vigorous narrative whizzing along—too long—at hyperspeed, and frenetic plot twists that...

An Australian award-winning F/SF author strikes new sparks from an old flint: What if matter transmitters (“Beam me up, Scotty”) really worked?

By 2069, KTI Corp.’s “d-mat” matter transmitter network (the technology’s a closely guarded secret) makes it possible to travel instantly to almost anywhere on Earth. Meanwhile, a serial killer known as the Twinmaker somehow copies his victims while they’re in transit. The original proceeds unharmed to her destination, unaware that a duplicate has been captured. The latest victim’s mutilated remains have been transmitted to a seemingly empty apartment once shared by private eye Jonah McEwen and his adoptive father, Lindsay Carlaw, a researcher who helped develop QUALIA, the artificial intelligence that runs KTI. Investigating officers Marylin Blaylock and Odi Whitesmith discover Jonah in a tank of nutrient gel, his brain infected with hostile software. Since Jonah was once Marylin’s employer and lover, and all the Twinmaker’s victims resemble Marylin, Jonah immediately becomes suspect #1. Clearly, though, this Jonah’s too damaged—but what if there’s a homicidal copy? Jonah’s last recollection is of Lindsay dying, killed by a bomb; Jonah made inquiries and learned something significant, but can’t remember what. Oddly, Lindsay helped found the anti–d-mat group WHOLE and refused to travel by d-mat—except on the day of his death! Obviously, the Twinmaker has full access to KTI’s technology; yet, suspiciously, KTI boss Fabian Schumacher refuses to release his secret files—and Jonah remembers seeing KTI security chief Herold Verstegen in the apartment after Lindsay’s death.

Convincingly realized, with the vigorous narrative whizzing along—too long—at hyperspeed, and frenetic plot twists that can’t quite disguise the holes.

Pub Date: April 8, 2005

ISBN: 1-59102-311-4

Page Count: 510

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2005

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THE NIGHT CIRCUS

Generous in its vision and fun to read. Likely to be a big book—and, soon, a big movie, with all the franchise trimmings.

Self-assured, entertaining debut novel that blends genres and crosses continents in quest of magic.

The world’s not big enough for two wizards, as Tolkien taught us—even if that world is the shiny, modern one of the late 19th century, with its streetcars and electric lights and newfangled horseless carriages. Yet, as first-time novelist Morgenstern imagines it, two wizards there are, if likely possessed of more legerdemain than true conjuring powers, and these two are jealous of their turf. It stands to reason, the laws of the universe working thus, that their children would meet and, rather than continue the feud into a new generation, would instead fall in love. Call it Romeo and Juliet for the Gilded Age, save that Morgenstern has her eye on a different Shakespearean text, The Tempest; says a fellow called Prospero to young magician Celia of the name her mother gave her, “She should have named you Miranda...I suppose she was not clever enough to think of it.” Celia is clever, however, a born magician, and eventually a big hit at the Circus of Dreams, which operates, naturally, only at night and has a slightly sinister air about it. But what would you expect of a yarn one of whose chief setting-things-into-action characters is known as “the man in the grey suit”? Morgenstern treads into Harry Potter territory, but though the chief audience for both Rowling and this tale will probably comprise of teenage girls, there are only superficial genre similarities. True, Celia’s magical powers grow, and the ordinary presto-change-o stuff gains potency—and, happily, surrealistic value. Finally, though, all the magic has deadly consequence, and it is then that the tale begins to take on the contours of a dark thriller, all told in a confident voice that is often quite poetic, as when the man in the grey suit tells us, “There’s magic in that. It’s in the listener, and for each and every ear it will be different, and it will affect them in ways they can never predict.”

Generous in its vision and fun to read. Likely to be a big book—and, soon, a big movie, with all the franchise trimmings.

Pub Date: Sept. 13, 2011

ISBN: 978-0-385-53463-5

Page Count: 384

Publisher: Doubleday

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: April 15, 2011

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NINTH HOUSE

From the Alex Stern series , Vol. 1

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally...

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Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.

Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.

Pub Date: Oct. 1, 2019

ISBN: 978-1-250-31307-2

Page Count: 448

Publisher: Flatiron Books

Review Posted Online: June 30, 2019

Kirkus Reviews Issue: July 15, 2019

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