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BIRDSONG

Faulks's fourth novel, an English bestseller, is his second (after A Fool's Alphabet, 1993) to appear in the US: a riveting story of love—and incalculable suffering—during WW I. What could become mere period romance is transformed, in this writer's hands, into dramatized history with a power almost Tolstoyan. Faulks renders love as compellingly as war—as in the opening chapters, when 20-year-old Britisher Stephen Wraysford, on business in Amiens, falls passionately in love with the childless and unhappily married Isabelle Azaire, nine years his senior, and steals her away. This is in 1910, and when Isabelle, secretly pregnant, suffers from overwhelming guilt, she abandons Stephen, returning to her unloving husband; six years later, Wraysford is near Amiens again, now as a Lieutenant (soon Captain) with the British Expeditionary Force, preparing for battle in what is to be the butchery of the Somme valley. Isabelle and Wraysford will meet briefly again—and both will be changed forever by the catastrophic war about to sweep over humanity, changing entire generations. Faulks's depictions of war in the trenches—and in the mazes of deadly tunnels beneath them—are extraordinary, graphic, powerful, and unsparing. Stephen will survive to war's end, and so will Isabelle, though not before both are changed beyond recognition, and doomed not to be rejoined again. The war, here, is Faulks's real subject, his stories of destroyed lives, however wrenching, only throwing its horror into greater relief and making it the more unbearable. An ending too neatly symbolic can be pardoned, while a denouement describing the birth of Wraysford's and Isabelle's great-grandson—in 1979, when their lost histories have been ferreted out by a granddaughter named Elizabeth, the new mother—is so perfectly conceived and delivered as to bring tears to the reader insufficiently steeled. Once more, Faulks shows his unparalleled strengths as a writer of plain human life and high, high compassion. A wonderful book, ringing with truth.

Pub Date: Feb. 1, 1996

ISBN: 0-679-43545-X

Page Count: 416

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1995

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE NICKEL BOYS

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...

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The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.

Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.

Pub Date: July 16, 2019

ISBN: 978-0-385-53707-0

Page Count: 224

Publisher: Doubleday

Review Posted Online: Jan. 20, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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