An effectively told, low-key tale of an arduous, sometimes-frightening road to fame.
A Haitian-born man learns that making it in the cutthroat American music industry may require black magic and blood sacrifice in Mafate’s (When the Cobra Strikes, 2012, etc.) thriller.
When 16-year-old Raymond Pata immigrated to the United States from Haiti, he had aspirations for stardom. At 24, he finally decides to move to California in pursuit of a music career. His mother, Jean Pata, who’s built a successful cleaning business, refuses to support Raymond’s endeavor since he dropped out of college. So Raymond, on his own in California, takes a dubious gig driving stolen luxury cars. But even with his talent and musical equipment, breaking into the music biz seems unachievable. As per his mother’s recommendation, Raymond sees Baba Brima, a powerful witch doctor who can put him closer to fame. Brima performs a ritual that requires that Raymond appease gods with a blood sacrifice—committing a handful of murders to ensure the success of his band, The Rhythm Makers. This sparks serious media attention as authorities, linking the murders by their ritualistic aspect, hunt a serial killer. But it’s a mysterious, alluring woman who flusters Raymond. Following their initial encounter, she vanishes, and his obsession with her could ultimately be his downfall. Mafate’s novel originated as a screenplay, which is evident from the story’s myriad scenes of dialogue and minimal action. But the well-devised dialogue propels the story and provides seamless background. Though Raymond’s later homicidal acts significantly curtail any sympathy readers may feel for him, Mafate doesn’t glamorize the murders. Furthermore, references to African deities such as Nana Bulukuand Mawuare respectful; whatever deeds a believer such as Raymond commits are on the individual, not the religion. Supernatural elements crop up in the final act, but like much of the preceding story, they’re shrewdly understated.
An effectively told, low-key tale of an arduous, sometimes-frightening road to fame.Pub Date: Sept. 20, 2016
ISBN: 978-1-62137-892-1
Page Count: 336
Publisher: Virtualbookworm.com
Review Posted Online: Aug. 28, 2018
Kirkus Reviews Issue: Oct. 15, 2018
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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