Atta writes lyrically and eloquently about ordinary life.
Atta (Everything Good Will Come, 2007) focuses on two women fighting against sexual harassment and trying to make a meaningful life in Nigeria.
Rose and Tolani (the novel’s narrator) share both a friendship and a workplace—a bank in Lagos—but at the beginning of the novel, Rose is sacked for refusing the advances of the repulsive Mr. Salako, a senior manager. While Rose is somewhat relieved to be out of an awkward situation, she’s mortified when Tolani is named to her position—and Tolani also finds herself harassed by the relentless Salako. Rose is fundamentally unhappy being Nigerian and instead wishes “she had been born in Czechoslovakia because the name sounded sophisticated.” Besides Salako, Tolani has problems with her lover Sanwo, who can’t quite commit either to a job or to her. She wants to give him an ultimatum that she hopes will result in marriage, but she’s fearful of the possible consequences because she finds it hard to imagine her life without him. Meanwhile, the increasingly desperate Rose takes up with OC, recently returned from a successful yet mysterious business deal in America. OC’s sleaziness makes Tolani uneasy, and her friendship with Rose—like her relationship with Sanwo—begins to falter. Tolani’s intuitions about OC turn out to be correct, for he’s a drug dealer who wants to use them both as mules to transport heroin in condoms to the States. Neither Rose nor Tolani can quite get the hang of swallowing the undigestible packages, and Tolani eventually decides on moral grounds that she doesn’t want to be exploited in this way. In increasingly distressed financial condition, Rose winds up being OC’s drug courier but dies when the package “explodes” inside her. By the end of the narrative, Tolani, who comes from a small Yoruba village, decides that life in Lagos is too wretched and corrupt, so she returns home to her mother, looking to start afresh—and include Sanwo in her future.
Atta writes lyrically and eloquently about ordinary life.Pub Date: Jan. 1, 2011
ISBN: 978-1-56656-833-3
Page Count: 296
Publisher: Interlink
Review Posted Online: Jan. 3, 2011
Kirkus Reviews Issue: Dec. 1, 2010
BOOK REVIEW
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
