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THE BEAD COLLECTOR

Despite the fascinating combination of post–civil war Nigeria and good gossip, Atta’s novel can’t quite overcome the ennui...

A glimpse into the insular world of upper-class Nigeria during the mid-1970s.

Remi Lawal is a middle-aged shop owner living in the exclusive Ikoyi neighborhood of Lagos in 1976. When she meets Frances Cooke, an American art dealer who has come to Nigeria to collect beads that are seemingly valuable to everyone but Nigerians, it begins a series of tête-à-têtes between the two in which Remi describes life among Nigeria’s elite while Frances offers comparatively little about herself. What looms over Remi’s descriptions of Nigerian life, however, is the question of whether Frances is a CIA agent, an idea initially floated by Remi’s husband, Tunde, a banker who has recently been “retired” from his government job due to a military coup. Despite Tunde’s understandable suspicions, Remi is unconvinced and proceeds to invite Frances into her inner circle, wherein larger questions of colonialism, marriage, motherhood, and Nigerian identity are interwoven with the everyday occurrences that make up Remi’s rather privileged life. Unfortunately, the award-winning Atta (A Bit of Difference, 2012), though meticulous in rehearsing the various maneuvers that have gotten Nigeria to this moment, overburdens the first half of the novel with details of Remi’s daily life that could have been left on the cutting-room floor. The novel doesn’t really find its legs until the second half, when it finally crescendos with yet another coup and an incident at a golf club, in which Frances plays a key role, which could rival a reality-TV show starring bored and moneyed housewives.

Despite the fascinating combination of post–civil war Nigeria and good gossip, Atta’s novel can’t quite overcome the ennui that dominates the life of its main character.

Pub Date: Nov. 2, 2018

ISBN: 978-1-62371-985-2

Page Count: 370

Publisher: Interlink

Review Posted Online: Sept. 1, 2018

Kirkus Reviews Issue: Sept. 15, 2018

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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CONCLAVE

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...

Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.

Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.

Pub Date: Nov. 22, 2016

ISBN: 978-0-451-49344-6

Page Count: 304

Publisher: Knopf

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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