A vigorous yarn that mixes stout swashbuckling with moody reflection.
A youngster who wants to be a soldier achieves that goal with bloody and troubling results in Taylor’s dystopian novel.
This action-packed story, set in the distant future, posits a post-apocalyptic, low-tech empire of Sagittarius on the Canadian prairie with an astrological religion that requires babies born outside a monthlong window to be sacrificed. Sagittarius is locked in perpetual war with the nation of Scorpio to the north and has enslaved the people of Taurus to the south. Centering the story is Saya, a Sagittarian tween who dreads having to hold to proscribed feminine roles of housekeeping and childbearing and longs to be a soldier. Saya’s gender nonconformity only seems to be accepted in an observatory run by freethinking astronomers. The young narrator’s soldiering wish comes tragically true when marauders, said to be Scorpions, destroy the town, and orphaned Saya is inducted into the Sagittarian army under a new name. Sai becomes a fierce fighter with sword and bow who’s abused by other recruits but gets respect from officers who address Sai by he/him pronouns. Most of the novel follows Sai’s military career, which undermines the protagonist’s vengeance motive. Sai loves slaughtering Scorpion soldiers in gory battle scenes—the Scorpions’ poison-coated swords inflict particularly grisly wounds—but this zealotry wavers in situations involving civilians, including a 3-year-old Taurian boy. Also influencing Sai is Fion, a gay officer whose soul-searching conversations feed Sai’s disaffection. Taylor’s ruminative, queer dystopian fable feels like a mashup of elements of the Hunger Games series, Mulan, All Quiet on the Western Front, and the daily horoscope. The writing is engrossing and punchy—“ ‘Suck it up,’ Fion scolded me with a biting, severe voice. ‘You’re a soldier now’ ”—and the action energetic: “I…lunged at the Scorpion fearlessly, ducked under his swing, and thrust my blade into his gut. I ripped my sword to the side and relished the sight of his frightened eyes dying.” However, the book’s gender-related themes sometimes feel underdeveloped alongside the narrative’s extensive carnage. Still, Sai’s journey makes for a resonant, absorbing read.
A vigorous yarn that mixes stout swashbuckling with moody reflection.Pub Date: Feb. 21, 2023
ISBN: N/A
Page Count: 390
Publisher: Self
Review Posted Online: Oct. 5, 2022
Kirkus Reviews Issue: Nov. 15, 2022
Review Program: Kirkus Indie
A philosophically charged tour de force by one of the best living novelists in English.
A gravely post-apocalyptic tale that blends mystery with the academic novel.
McEwan’s first narrator, Thomas Metcalfe, is one of a vanishing breed, a humanities professor, who on a spring day in 2119, takes a ferry to a mountain hold, the Bodleian Snowdonia Library. The world has been remade by climate change, the subject of a course he teaches, “The Politics and Literature of the Inundation.” Nuclear war has irradiated the planet, while “markets and communities became cellular and self-reliant, as in early medieval times.” Nonetheless, the archipelago that is now Britain has managed to scrape up a little funding for the professor, who is on the trail of a poem, “A Corona for Vivien,” by the eminent poet Francis Blundy. Thanks to the resurrected internet, courtesy of Nigerian scientists, the professor has access to every bit of recorded human knowledge; already overwhelmed by data, scholars “have robbed the past of its privacy.” But McEwan’s great theme is revealed in his book’s title: How do we know what we think we know? Well, says the professor of his quarry, “I know all that they knew—and more, for I know some of their secrets and their futures, and the dates of their deaths.” And yet, and yet: “Corona” has been missing ever since it was read aloud at a small party in 2014, and for reasons that the professor can only guess at, for, as he counsels, “if you want your secrets kept, whisper them into the ear of your dearest, most trusted friend.” And so it is that in Part 2, where Vivien takes over the story as it unfolds a century earlier, a great and utterly unexpected secret is revealed about how the poem came to be and to disappear, lost to history and memory and the coppers.
A philosophically charged tour de force by one of the best living novelists in English.Pub Date: Sept. 23, 2025
ISBN: 9780593804728
Page Count: 320
Publisher: Knopf
Review Posted Online: May 24, 2025
Kirkus Reviews Issue: July 1, 2025
PERSPECTIVES
PERSPECTIVES
PERSPECTIVES
A unique concept that promises readers will find at least one, if not three, entwined but different narratives to enjoy.
When Vis is copied into two other realities, he must stop a god from repeatedly culling almost everyone back home.
Thousands of years ago, to prevent the Concurrence from enslaving everyone, the world was split into three near-identical copies: Res, Obiteum, and Luceum. To exist in all three worlds, to wield Will there, is to achieve synchronism. After the events in The Will of the Many (2023), which cost Vis his arm and the life of his friend, Vis achieves Synchronism. While Res-Vis must continue to play Hierarchy politics to find his friend’s killer, Obiteum-Vis finds a ruined world, where the dead are reanimated and used by Ka, the Concurrence, and the only other person to exist in synchronism. Meanwhile, Luceum-Vis is forced into a dispute between druids, their High Council, and their kings—with one king intent on killing him—and Vis has no idea why. On all worlds, Vis is as shrewd as ever, weighing his options, planning ahead, and doing what he must to survive. However, he, too, slowly diverges, doing things he swore he never would: cede his Will, use Will to control someone else, and reveal his true name. If at least one Vis cannot use his synchronism and power of Will to kill the Concurrence, no Vis will be safe, and another Cataclysm will cull those he loves on Res. Book Two of the Hierarchy series is a speculative fantasy that is at once Egyptian post-apocalyptic, Celtic medieval, and Roman dystopian, thanks to the multidimensional setting. Although the sprawling narrative at times overextends itself, Islington rewards patient readers with a compelling story, a cast of complex and diverse characters, and a glimpse into how far a good man can go before he’s lost. A symbol at the start of each chapter delineates which world and Vis it’s about. Readers should read The Will of the Many before attempting this volume, or they may be confused for the first several chapters and beyond.
A unique concept that promises readers will find at least one, if not three, entwined but different narratives to enjoy.Pub Date: Nov. 11, 2025
ISBN: 9781982141233
Page Count: 736
Publisher: Saga/Simon & Schuster
Review Posted Online: Oct. 10, 2025
Kirkus Reviews Issue: Nov. 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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