Ambitious, bleak, and not fully realized.
What happens to humanity when death radically outpaces life?
Scientists digging in Siberia find the body of a girl who seems to be a mix of Homo sapien and Neanderthal while also possessing genetic traits that look like starfish or octopus. She’s dressed in clothes remarkable not only for their fine needlework, but also for the fact that they’re decorated with shells from the Mediterranean. Unearthing this girl releases a virus that destroys human organs. From this strange, terrifying beginning the narrative moves to the City of Laughter, an amusement park where children infected with the virus can enjoy one last, fun-filled day before riding a roller coaster designed to kill them. Nagamatsu’s characters inhabit societies so overwhelmed by death that funerary services of various kinds dominate the economy and in which the past is disappearing while it’s impossible to imagine a future. Many of the chapters in this novel were first published as short stories. Cobbling these stories together makes a novel-length book, but it doesn’t necessarily make a satisfying novel. The different ways in which people deal with grief and survival accumulate without revealing new insights. The chapter in which a man contemplating suicide finds connection in a virtual world is an echo of the chapter about a man who repairs robotic pets who speak in the voices of the dead. A chapter in which a forensic pathologist falls in love with a man who has donated his body for research is virtually the same as the chapter in which a funerary artist who makes ice sculptures from liquified remains falls in love with a customer. And while there are characters who recur, a lot of these connections feel superimposed for the sake of crafting a novel. The final chapter—but for a brief coda—circles back to the beginning in a way that’s thrilling for a moment. Then Nagamatsu lays bare the mystery of the opening chapter in a way that can only be rewarding for hardcore devotees of the ancient astronaut school of ufology or readers for whom this concept is entirely new.
Ambitious, bleak, and not fully realized.Pub Date: Jan. 18, 2022
ISBN: 978-0-06-307264-0
Page Count: 304
Publisher: Morrow/HarperCollins
Review Posted Online: Sept. 28, 2021
Kirkus Reviews Issue: Oct. 15, 2021
A stunning feat of storytelling and moral clarity.
An Irishman uncovers abuse at a Magdalen laundry in this compact and gripping novel.
As Christmas approaches in the winter of 1985, Bill Furlong finds himself increasingly troubled by a sense of dissatisfaction. A coal and timber merchant living in New Ross, Ireland, he should be happy with his life: He is happily married and the father of five bright daughters, and he runs a successful business. But the scars of his childhood linger: His mother gave birth to him while still a teenager, and he never knew his father. Now, as he approaches middle age, Furlong wonders, “What was it all for?…Might things never change or develop into something else, or new?” But a series of troubling encounters at the local convent, which also functions as a “training school for girls” and laundry business, disrupts Furlong’s sedate life. Readers familiar with the history of Ireland’s Magdalen laundries, institutions in which women were incarcerated and often died, will immediately recognize the circumstances of the desperate women trapped in New Ross’ convent, but Furlong does not immediately understand what he has witnessed. Keegan, a prizewinning Irish short story writer, says a great deal in very few words to extraordinary effect in this short novel. Despite the brevity of the text, Furlong’s emotional state is fully rendered and deeply affecting. Keegan also carefully crafts a web of complicity around the convent’s activities that is believably mundane and all the more chilling for it. The Magdalen laundries, this novel implicitly argues, survived not only due to the cruelty of the people who ran them, but also because of the fear and selfishness of those who were willing to look aside because complicity was easier than resistance.
A stunning feat of storytelling and moral clarity.Pub Date: Nov. 30, 2021
ISBN: 978-0-8021-5874-1
Page Count: 128
Publisher: Grove
Review Posted Online: Aug. 31, 2021
Kirkus Reviews Issue: Sept. 15, 2021
Readers won’t want to leave behind the imagined world of pain and beauty that McConaghy has conjured.
The reality of climate change serves as the pervasive context for this terrific thriller set on a remote island between Australia and Antarctica.
Four family members and one stranger are trapped on an island with no means of communication—what could go wrong? The setup may sound like a mix of Agatha Christie and The Swiss Family Robinson, but Australian author McConaghy is not aiming for a cozy read. Shearwater Island—loosely based on Macquarie Island, a World Heritage Site—is a research station where scientists have been studying environmental change. For eight years, widowed Dominic Salt has been the island’s caretaker, raising his three children in a paradise of abundant wildlife. But Shearwater is receding under rising seas and will soon disappear. The researchers have recently departed by ship, and in seven weeks a second ship will pick up Dominic and his kids. Meanwhile, they are packing up the seed vault built by the United Nations in case the world eventually needs “to regrow from scratch the food supply that sustains us.” One day a woman, Rowan, washes ashore unconscious but alive after a storm destroys the small boat on which she was traveling. Why she’s come anywhere near Shearwater is a mystery to Dominic; why the family is alone there is a mystery to her. While Rowan slowly recovers, Dominic’s kids, especially 9-year-old Orly—who never knew his mother—become increasingly attached, and Rowan and Dominic fight their growing mutual attraction. But as dark secrets come to light—along with buried bodies—mutual suspicions also grow. The five characters’ internal narratives reveal private fears, guilts, and hopes, but their difficulty communicating, especially to those they love, puts everyone in peril. While McConaghy keeps readers guessing which suspicions are valid, which are paranoia, and who is culpable for doing what in the face of calamity, the most critical battle turns out to be personal despair versus perseverance. McConaghy writes about both nature and human frailty with eloquent generosity.
Readers won’t want to leave behind the imagined world of pain and beauty that McConaghy has conjured.Pub Date: March 4, 2025
ISBN: 9781250827951
Page Count: 320
Publisher: Flatiron Books
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
