by Sergio Esposito with Justine van der Leun ‧ RELEASE DATE: April 22, 2008
A charming tribute to food, drink and homeland.
Do not read this book on an empty stomach: The author lovingly describes so many exquisite-sounding Italian meals that those without immediate access to fresh mozzarella and artichokes will feel very sorry for themselves.
Esposito, the owner of Italian Wine Merchants in New York City, opens his debut memoir with an account of his idyllic childhood in the slums of Naples, where women lowered baskets from their balconies to buy the fish straight from the sea and grapes straight from the vine. His lifelong love affair with Italian food began in this gastronomic paradise, but his family was ripped from Naples in 1974, when he was still a child, and condemned to live in Albany, N.Y. Esposito writes heart-wrenchingly of their tearful adjustment to a new culture and cuisine (so-called). The pasta they ate in Italy, he writes, had been laid in the middle of the street, “so that the unique combination of Mediterranean and mountain winds would dry it in just the right way, to produce the perfect texture when it was boiled.” At his family’s first meal with their American cousins, the pasta was “mushy…like glue in my throat.” Still, it was in Albany that Esposito’s uncle shared his nightly glass of California red, launching an autodidact’s career dedicated to improving the reputation of Italian wines and revitalizing the flagging economy of traditional winemakers. Describing his travels through his native land, first as a student and then as a wine merchant, Esposito writes with such earnest enthusiasm that detailed accounts of winemakers purchasing different types of equipment are actually interesting. He reaches his poetic heights, however, in describing the food and vintages he consumed on each adventure. In one Roman restaurant, a southern white wine “smelled of apricots, white flowers, dried honey, nuts…[I] got the sensation that I was being seduced in a Pompeii brothel before the volcano erupted.”
A charming tribute to food, drink and homeland.Pub Date: April 22, 2008
ISBN: 978-0-7679-2607-2
Page Count: 224
Publisher: Broadway
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2008
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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