by Sergio Luzzatto translated by Frederika Randall ‧ RELEASE DATE: Nov. 9, 2010
A solid exploration into the fine line between the faithful and the fraudulent in 20th-century Catholicism.
Biography of Padre Pio, a 20th-century Italian friar who claimed religious miracles, including stigmata.
Luzzatto (Modern History/Univ. of Turin, Italy; The Body of Il Duce: Mussolini’s Corpse and the Fortunes of Italy, 2005) recounts the little-known tale of the modest Capuchin monk who experienced a religious epiphany in September 1918 that spurred controversy and divided Catholics for decades. “I look at my hands, feet, and side and see they are wounded and blood is pouring out,” he reported. Padre Pio claimed his injuries were actually the mark of the stigmata, agitating not only his small mountain town, but the head of the church in Rome as well. Set against the backdrop of war-torn Italy, Luzzatto offers a rich story of faith versus science, in which Padre Pio’s claims of miraculous wonder were believed by the people but discounted by the pope. By 1945, Padre Pio received 45,000 letters per year, though his popularity made him a target. The Catholic Church was uncertain how to deal with the holy man, though “[b]etween 1918 and 1968, every pontiff tried, directly or indirectly, to put his stamp on Padre Pio.” On the church’s authority, Padre Pio underwent a battery of psychological tests, leading his examiner to conclude his subject of “infirm mind” and a “psychiatric hospital mystic.” Yet soon after, another examination concluded differently, offering a “vote of confidence for Padre Pio.” The mystery remained unresolved, though doubt began rising once more when it was discovered that Padre Pio often retained small amounts of carbolic acid in his cell—a chemical fully capable of burning the marks he claimed were God-given. The world watched as Rome struggled to decide whether they were debunking a myth or disregarding a miracle. Luzzatto hones in on the central question: “could a good Christian ever accept the existence of an alter Christus, a living Christ figure?” Padre Pio’s experiences would suggest not, at least in the view of the papacy.
A solid exploration into the fine line between the faithful and the fraudulent in 20th-century Catholicism.Pub Date: Nov. 9, 2010
ISBN: 978-0-8050-8905-9
Page Count: 384
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 13, 2010
Kirkus Reviews Issue: Sept. 1, 2010
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by Sergio Luzzatto translated by Frederika Randall
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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