This is a (great) picture book! (Picture book. 4-8)
A metafictive delight of a picture book.
Alice would be pleased: despite Ruzzier’s title, there are plenty of pictures and ample conversation in this picture book. The titular book within the book, however, is illustration-free. This initially causes distress for the duckling protagonist (who oddly has a bellybutton, but that’s beside the point) who finds the book in the spreads before the title page. When a bug appears and asks, “Can you read it?” the duckling gives it a try. In a brilliant feat of page layout, the recto depicts a green landscape encroaching on the verso, with a log laid across a chasm as a bridge to the white space on which the duckling and bug stand. Their walk across the log is a visual metaphor for the duckling’s successful decoding of the text in its pictureless book. Whole worlds open up to them as the duckling reads aloud. Illustrations depict these worlds evoked by “wild words… / and peaceful words,” and the duckling ultimately declares that “All these words carry you away.” The satisfying conclusion is an affirmation of the transformative power of reading. In one outstanding design touch, the front endpapers tell the not-a-picture-book text in garbled type with transposed letters that one must strain to decode, while the text is clear in its entirety on the back ones.
This is a (great) picture book! (Picture book. 4-8)Pub Date: May 3, 2016
ISBN: 978-1-4521-2907-5
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: March 1, 2016
Kirkus Reviews Issue: March 15, 2016
This warm family story is a splendid showcase for the combined talents of Medina, a Pura Belpré award winner, and Dominguez,...
Abuela is coming to stay with Mia and her parents. But how will they communicate if Mia speaks little Spanish and Abuela, little English? Could it be that a parrot named Mango is the solution?
The measured, evocative text describes how Mia’s español is not good enough to tell Abuela the things a grandmother should know. And Abuela’s English is too poquito to tell Mia all the stories a granddaughter wants to hear. Mia sets out to teach her Abuela English. A red feather Abuela has brought with her to remind her of a wild parrot that roosted in her mango trees back home gives Mia an idea. She and her mother buy a parrot they name Mango. And as Abuela and Mia teach Mango, and each other, to speak both Spanish and English, their “mouths [fill] with things to say.” The accompanying illustrations are charmingly executed in ink, gouache, and marker, “with a sprinkling of digital magic.” They depict a cheery urban neighborhood and a comfortable, small apartment. Readers from multigenerational immigrant families will recognize the all-too-familiar language barrier. They will also cheer for the warm and loving relationship between Abuela and Mia, which is evident in both text and illustrations even as the characters struggle to understand each other. A Spanish-language edition, Mango, Abuela, y yo, gracefully translated by Teresa Mlawer, publishes simultaneously.
This warm family story is a splendid showcase for the combined talents of Medina, a Pura Belpré award winner, and Dominguez, an honoree. (Picture book. 4-7)Pub Date: Aug. 25, 2015
ISBN: 978-0-7636-6900-3
Page Count: 32
Publisher: Candlewick
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Even if the worst thing this book prevents is an unwanted noogie, it is still doing a service.
Miles may be 6, but he’s in charge of his body anyway, isn’t he?
In this montage of simple, cartoony characters set against photographic backgrounds, readers are introduced to Miles, who is about to celebrate his sixth birthday with his family and desperately looks forward to his favorite: “double-meaty-pepperoni-sausage-pineapple-hold-the-onions-extra-cheesy birthday pizza!” But before the pizza man arrives, Grandpa has to give Miles’ cheek a pinch, and brother Scotty bestows a serious noogie, and Aunt Millie sends a suffocating hug (via Miles’ mom), and Dad lifts him off the floor (“ Dad, please put me down!”). Then a guy in a chicken suit arrives to tickle Miles. Miles blows his stack before retreating to his room for some time alone. Mom knocks. “Am I in trouble?” asks Miles. “No,” says his mom. “We’re here to tell you how proud we are of you.” Dad pipes in: “No one should ever touch you in ways you don’t want to be touched.” Though the story is ham-fisted to the point of being a pork shoulder with the bone in, and though neither the artwork nor the text will last, the point probably will sink in. As the endnote states, “Roughly 90% of the harm done to children is not by a stranger, but by someone they know.”
Even if the worst thing this book prevents is an unwanted noogie, it is still doing a service. (Picture book. 4-8)Pub Date: Sept. 16, 2014
ISBN: 978-0-9894071-3-7
Page Count: 32
Publisher: The Mother Company
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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