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THE DEFIANT

A TRUE STORY OF JEWISH VENGEANCE AND SURVIVAL

A breathless Holocaust memoir of a young man who was, variously, victim, avenger, partisan, Polish soldier, and illegal immigrant to Palestine. At the core of the book is Yoran's love for his mother, a strong woman who had instilled her Zionist dreams in her family and had held them together during the war's early days. Soon after the Nazis invaded Poland, Yoran and his brother Musio, urged on by their dying mother (``Go, my beloved children,'' she says, ``and take vengeance for us''), hid out in a small underground bunker in a forest, enduring a bitter winter. Then, driven by their mother's parting words, they emerged and set about taking their revenge. They joined a group of partisans. Yoran, with his Aryan looks, a facility in several languages, and a daunting tolerance for homemade vodka (alcohol, Yoran suggests, caused the deaths of many partisans), moved freely in a variety of dangerous circles. He witnessed hideous atrocities carried out by German and Slavic soldiers and civilians, he heard a great deal, and he forgot nothing. Among the deranged figures he describes are a Nazi who boasted of killing babies and an NKVD agent who swore that he would kill his own mother if she proved to be a counter-revolutionary. Yoran is never reluctant to admit that he was often deeply fearful; despite that, he carried out some audacious bluffs, was involved in a number of vicious gunfights, and participated in some signal military successes with the partisans, including the destruction of German troop trains. The two teenage brothers eventually joined the Red Army and ended by pursuing the retreating Nazis back on to German soil. After a series of postwar misadventures, some of them comical, Yoran finally arrived in his mother's Promised Land. The most chilling, powerful, and well-written wartime memoir since The End of Days. (22 b&w photos, not seen)

Pub Date: Sept. 1, 1996

ISBN: 0-312-14585-3

Page Count: 292

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1996

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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