Thrillingly representative female empowerment.

THE ATHENA PROTOCOL

From the The Athena Protocol series , Vol. 1

A group of female spies enacts justice for exploited women around the world.

Jessie Archer, a white British woman, works for Athena, a female-led London-based secret division of global corporation Chen Technologies, helping to covertly take down crime lords who traffic and kidnap women and children. When a high-tension mission goes awry, Jessie is taunted by a warlord, who says his capture will be a temporary stay. She kills him, endangering Athena’s secrecy, and is subsequently kicked off the team right as they are departing for Belgrade for an operation. As part of the intelligence-gathering effort for the operation, Jessie is frustrated by her termination, and, stuck at home and bored, she breaks into Athena’s servers, discovering leads to Paulina Pavlic, the alluring daughter of the trafficker Athena is targeting. Jessie’s feelings for Paulina are further complicated by the discovery of even more nefarious goings-on as well as information that endangers both her and the Athena team. Meanwhile, Athena agents are given a directive to bring Jessie in. This riveting, female-centered romp includes diverse characters—African American, Palestinian, South Asian British—who have layered and complex backstories. Li Chen, founder of Chen Technologies, survived the Cultural Revolution. Jessie examines her privilege with occasional flippant snark and questions global power dynamics and the treatment of women around the world. Jessie is a lesbian, and some other characters are queer.

Thrillingly representative female empowerment. (Thriller. 14-18)

Pub Date: Oct. 8, 2019

ISBN: 978-0-06-284960-1

Page Count: 304

Publisher: HarperTeen

Review Posted Online: July 24, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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Riveting, brutal and beautifully told.

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WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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