This upbeat but uneven book draws from the history of the All-American Girls Professional Baseball League and the famous song “Take Me Out to the Ball Game.” Carey (Milly and the Macy’s Parade, 2002, etc.) takes Katie Casey, who in the famous song “was baseball mad,” and imagines that she was recruited for the women’s league, founded in 1943 when many professional male players joined the military. A scout recruits Katie, who is inept at stereotypical female pastimes like cooking but great at baseball, for the Kenosha Comets. On opening day, she hits a grand-slam to win the game. The inclusion of “Take Me Out to the Ball Game,” a song about a girl on a date rooting for “the boys,” and the title word “pigtails,” a term more associated with young children than professional athletes, both seem at odds with the book’s role described in the author’s note as a “tribute” to the “women” of the AAGPBL. But even more jarring is the style of illustration, which portrays all the players as slim and perky, unlike many of the real, often muscular, players. Accuracy is further undermined by the picture of a dark-skinned player being scouted, giving the impression that the AAGPBL had African-American players, which it did not. A more accurate and engaging picture book on the same subject is Dirt on Their Skirts: The Story of the Young Women Who Won the World Championship (2000), by Doreen Rappaport and Lyndall Callan, with illustrations by E.B. Lewis, that shows sturdy players and include photographs of them on the endpapers. (Picture book. 5-9)
Pub Date: April 1, 2003
ISBN: 0-439-18305-7
Page Count: 40
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2003
A poignant tale of courage and resistance and of long-standing cultural traditions.
An enslaved Black child reflects on the role hair braiding plays in her life and her community.
Nemy scatters seeds and pulls weeds in the fields. She observes a woman named Big Mother, who works hard in the sugar cane fields, cooking and telling stories before bed. When Nemy follows Big Mother to a shack one night, she sees her and other women braiding one another’s hair. Nemy joins them, and as her hair is braided, she remembers her own Nana. Surrounded by a loving, tight-knit community, she learns how women braid messages, information, and even seeds into their hair. One morning, the group—including Nemy—flees, the routes of freedom braided in their hair. They avoid danger and recapture until they can establish a new home, deep in the forests surrounding the plantation. In an author’s note, Duncan explains how she drew from real history—specifically the experiences of those enslaved in Colombia. Quietly tinged with hope, her narrative demonstrates how those in bondage used skills passed down over generations to find the liberty they desired. Moses’ digitally rendered art depicts intricate braid patterns; his dramatic use of color during the escape scene heightens the drama, bathing characters in deep blues as they make their way to freedom.
A poignant tale of courage and resistance and of long-standing cultural traditions. (Picture book. 5-9)Pub Date: Sept. 10, 2024
ISBN: 9781915244802
Page Count: 32
Publisher: Lantana
Review Posted Online: Aug. 30, 2024
Kirkus Reviews Issue: Oct. 1, 2024
A pivotal moment in a child’s life, at once stirring and authentically personal.
Before growing up to become a major figure in the civil rights movement, a boy finds a role model.
Buffing up a childhood tale told by her renowned father, Young Shelton describes how young Andrew saw scary men marching in his New Orleans neighborhood (“It sounded like they were yelling ‘Hi, Hitler!’ ”). In response to his questions, his father took him to see a newsreel of Jesse Owens (“a runner who looked like me”) triumphing in the 1936 Olympics. “Racism is a sickness,” his father tells him. “We’ve got to help folks like that.” How? “Well, you can start by just being the best person you can be,” his father replies. “It’s what you do that counts.” In James’ hazy chalk pastels, Andrew joins racially diverse playmates (including a White child with an Irish accent proudly displaying the nickel he got from his aunt as a bribe to stop playing with “those Colored boys”) in tag and other games, playing catch with his dad, sitting in the midst of a cheering crowd in the local theater’s segregated balcony, and finally visualizing himself pelting down a track alongside his new hero—“head up, back straight, eyes focused,” as a thematically repeated line has it, on the finish line. An afterword by Young Shelton explains that she retold this story, told to her many times growing up, drawing from conversations with Young and from her own research; family photos are also included. (This book was reviewed digitally.)
A pivotal moment in a child’s life, at once stirring and authentically personal. (illustrator’s note) (Autobiographical picture book. 7-9)Pub Date: Aug. 2, 2022
ISBN: 978-0-545-55465-7
Page Count: 40
Publisher: Scholastic
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
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