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PLAYERS IN PIGTAILS

This upbeat but uneven book draws from the history of the All-American Girls Professional Baseball League and the famous song “Take Me Out to the Ball Game.” Carey (Milly and the Macy’s Parade, 2002, etc.) takes Katie Casey, who in the famous song “was baseball mad,” and imagines that she was recruited for the women’s league, founded in 1943 when many professional male players joined the military. A scout recruits Katie, who is inept at stereotypical female pastimes like cooking but great at baseball, for the Kenosha Comets. On opening day, she hits a grand-slam to win the game. The inclusion of “Take Me Out to the Ball Game,” a song about a girl on a date rooting for “the boys,” and the title word “pigtails,” a term more associated with young children than professional athletes, both seem at odds with the book’s role described in the author’s note as a “tribute” to the “women” of the AAGPBL. But even more jarring is the style of illustration, which portrays all the players as slim and perky, unlike many of the real, often muscular, players. Accuracy is further undermined by the picture of a dark-skinned player being scouted, giving the impression that the AAGPBL had African-American players, which it did not. A more accurate and engaging picture book on the same subject is Dirt on Their Skirts: The Story of the Young Women Who Won the World Championship (2000), by Doreen Rappaport and Lyndall Callan, with illustrations by E.B. Lewis, that shows sturdy players and include photographs of them on the endpapers. (Picture book. 5-9)

Pub Date: April 1, 2003

ISBN: 0-439-18305-7

Page Count: 40

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2003

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RAFI AND ROSI MUSIC!

From the Rafi and Rosi series

A welcome, well-researched reflection of cultural pride in the early-reader landscape.

The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí.

Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. A glossary at the beginning sets readers up well to understand the Spanish vocabulary, including accurate phoneticization for non-Spanish speakers. The stories focus on Rafi and Rosi’s relationship within a musical context. For example, in one chapter Rafi finds out that he attracts a larger audience playing his homemade güiro with Rosi’s help even though he initially excluded her: “Big brothers only.” Even when he makes mistakes, as the older brother, Rafi consoles Rosi when she is embarrassed or angry at him. In each instance, their shared joy for music and dance ultimately shines through any upsets—a valuable reflection of unity. Informational backmatter and author’s sources are extensive. Undoubtedly these will help teachers, librarians, and parents to develop Puerto Rican cultural programs, curriculum, or home activities to extend young readers’ learning. The inclusion of instructions to make one’s own homemade güiro is a thoughtful addition. The Spanish translation, also by Delacre and published simultaneously, will require a more advanced reader than the English one to recognize and comprehend contractions (“pa’bajo-pa-pa’rriba”) and relatively sophisticated vocabulary.

A welcome, well-researched reflection of cultural pride in the early-reader landscape. (Early reader. 7-9)

Pub Date: Sept. 17, 2019

ISBN: 978-0-89239-429-6

Page Count: 64

Publisher: Children's Book Press

Review Posted Online: July 27, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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ACOUSTIC ROOSTER AND HIS BARNYARD BAND

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...

Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.

Pub Date: Sept. 1, 2011

ISBN: 978-1-58536-688-0

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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