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MICHAEL AND ME

THE UNTOLD STORY OF MICHAEL JACKSON'S SECRET ROMANCE

A vexing and tedious memoir that offers only brief glimpses of the extraordinary creativity of the King of Pop.

Seven years after his death, Michael Jackson's secret girlfriend reveals their peculiar 20-year relationship.

First-time author Mangatal met her idol while working as a receptionist in Jackson's talent management office. From the beginning, their mutual attraction was obvious to her co-workers; it “was so strong it was impossible to ignore.” Shortly after their first kiss, she "just knew that Michael and I would soon be an official couple. In my mind, he was already my boyfriend." Despite his eccentricities—"every time it seemed he was acting normal and like a regular man—someone I could see myself having a real relationship with—he would revert back to this mask-wearing dude with a little boy by his side. It was difficult to understand”—her obsession remained. Mangatal details Jackson's work on his post-Thriller albums, his competitive nature and perfectionism, and his playful, pranksterish nature, which often came out on video sets. Unfortunately for her, she rebuffed several men and agency clients because "all of my thoughts and focus were totally consumed by one person—Michael." Unfortunately for readers, the author’s prose leaves much to be desired, with many passages seemingly pulled from an eighth-grader's diary—e.g., "Michael was like a drug I was addicted to”; "I am his forever”; and, regarding the child abuse allegations, "this beautiful, sweet soul couldn't harm a fly." The author seems to believe that their chemistry, her (limited) sexual experience with him, and his flirting with women on set definitely proves that Jackson was heterosexual. "Interacting with him,” writes Mangatal, “was sometimes like dealing with a 14-year-old boy—and it wasn’t an act. It was like he had stopped maturing emotionally the moment massive fame snatched away his childhood.”

A vexing and tedious memoir that offers only brief glimpses of the extraordinary creativity of the King of Pop.

Pub Date: Aug. 29, 2016

ISBN: 978-1-61373-617-3

Page Count: 240

Publisher: Chicago Review Press

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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