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MICHAEL AND ME

THE UNTOLD STORY OF MICHAEL JACKSON'S SECRET ROMANCE

A vexing and tedious memoir that offers only brief glimpses of the extraordinary creativity of the King of Pop.

Seven years after his death, Michael Jackson's secret girlfriend reveals their peculiar 20-year relationship.

First-time author Mangatal met her idol while working as a receptionist in Jackson's talent management office. From the beginning, their mutual attraction was obvious to her co-workers; it “was so strong it was impossible to ignore.” Shortly after their first kiss, she "just knew that Michael and I would soon be an official couple. In my mind, he was already my boyfriend." Despite his eccentricities—"every time it seemed he was acting normal and like a regular man—someone I could see myself having a real relationship with—he would revert back to this mask-wearing dude with a little boy by his side. It was difficult to understand”—her obsession remained. Mangatal details Jackson's work on his post-Thriller albums, his competitive nature and perfectionism, and his playful, pranksterish nature, which often came out on video sets. Unfortunately for her, she rebuffed several men and agency clients because "all of my thoughts and focus were totally consumed by one person—Michael." Unfortunately for readers, the author’s prose leaves much to be desired, with many passages seemingly pulled from an eighth-grader's diary—e.g., "Michael was like a drug I was addicted to”; "I am his forever”; and, regarding the child abuse allegations, "this beautiful, sweet soul couldn't harm a fly." The author seems to believe that their chemistry, her (limited) sexual experience with him, and his flirting with women on set definitely proves that Jackson was heterosexual. "Interacting with him,” writes Mangatal, “was sometimes like dealing with a 14-year-old boy—and it wasn’t an act. It was like he had stopped maturing emotionally the moment massive fame snatched away his childhood.”

A vexing and tedious memoir that offers only brief glimpses of the extraordinary creativity of the King of Pop.

Pub Date: Aug. 29, 2016

ISBN: 978-1-61373-617-3

Page Count: 240

Publisher: Chicago Review Press

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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