by Shannon O'Leary edited by Colin MacKenzie ‧ RELEASE DATE: Feb. 3, 2016
A terrifying and telling memoir, but one that leave unanswered questions.
A harrowing memoir of domestic violence and mental illness in 1960s and ’70s Australia.
O’Leary writes that, beginning when she was a toddler, she suffered abuse at the hands of her late father. She recalls him tossing her into the air, playful and fatherly, and then suddenly dropping his arms to his sides and letting her hit the ground. When she was 4, she writes, she first glimpsed one of her father’s multiple personalities: while playing at her paternal grandmother’s house, she saw a “grotesque figure” in black boots, a grey wig, and pink lipstick. The person, who turned out to be her father in disguise, looked like her grandmother, she says, but threatened to cut her with a razor. The following year, O’Leary writes, she watched her father brutally and inexplicably murder three people. The domestic violence then escalated, according to O’Leary, who says that her father chloroformed her, buried her, tied her up, and sexually abused her; her favorite pets died horrible deaths, and her toys were lost or destroyed. Her father, she says, killed again, several times, with her as a witness; she endured this in order to protect her mother and three brothers, she says, whom her father regularly threatened to kill. The family lived in the Australian bush with no phone and little recourse, as the police refused to get involved in domestic cases. The sections of the book portraying the abuse are powerful. In them, O’Leary shows a child who couldn’t make sense of the strange figures she saw, the handkerchief that made her black out, or a trench where she was imprisoned. The confusion, uncertainty, and sickening foreboding ring true and offer vital insights into the experience of abuse, including the fact that victims had few options, especially in the 1960s. Other sections, however, including descriptions of events well before the author’s birth, are written like a novel, providing precise details and dialogue as well as the thoughts in the characters’ heads. Although the book is billed as an autobiography, O’Leary reveals little about her adult life, such as how her childhood experience affected her relationships with her own five children or how it feels to finally disclose the perpetrator of so many unresolved murders.
A terrifying and telling memoir, but one that leave unanswered questions.Pub Date: Feb. 3, 2016
ISBN: 978-1-5196-9587-1
Page Count: 258
Publisher: CreateSpace
Review Posted Online: March 18, 2016
Review Program: Kirkus Indie
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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