The tenth installment in an increasingly successful series holds few surprises but contains a fair amount of accomplished and original short fiction. Editor Ravenel seems to have sedulously combed the little magazines for talent. Of the 17 stories included, 15 were first published in such noncommercial venues; of their 17 authors, only 5 bear established and familiar names. One hopes NSFTS really isn't beginning to take itself a teensy bit too seriouslythere's an ``Instructor's Manual available,'' for heaven's sake. Also, conventional disillusioning coming-of-age experiences and endearing varieties of regional eccentricity are rather too generously represented. That said, hearty recommendation may be given to Robert Olen Butler's ``Boy Born with Tattoo of Elvis,'' a vivid slice of lowborn Louisiana life featuring pitch-perfect first- person narration; Ellen Gilchrist's ``The Stucco House,'' in which the periodic neurotic unravelling of Gilchrist's recurring character, Rhoda Manning, is quietly observed by her long-suffering small son and new husband; and ``Drummer Down,'' a raffish illustration of Barry Hannah's good-ole-boy comic surrealism, replete with his trademark verbal surprises. From newer writers, the standouts are Jesse Lee Kercheval's ``Gravity'' (one of two in the volume so titled), the observant, sweetly funny tale of a 12- year-old tomboy's hospitalization and convalescence after she's injured falling out of a tree; Scott Gould's ``Bases,'' in which a glimmer of racial understanding emerges surprisingly from the tensions between a white boys' Little League team and a gang of excluded black kids; andthe collection's prize pieceTim Gautreaux's ``The Bug Man,'' a richly woven portrayal of an average-Joe local exterminator's growing familiarity with the lives of his clients and the consequent raising, then destroying, of his hopes for a better life. On balance, there's enough good work here to make readers look forward to next year's selectionand to want to follow the careers of Gautreaux, Gould, Kercheval, and several of their young anthology-mates.
Pub Date: Sept. 1, 1995
ISBN: 1-56512-123-6
Page Count: 280
Publisher: Algonquin
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 15, 1995
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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