Both the familiar and the strange are eloquently evoked and celebrated here: a model anthology.



Editor Ravenel has cast her net widely and well, making the 18th installment of this deservedly successful series one of its best yet.

Only a handful of the contributors have familiar names, and two of them appear here in peak form. John Dufresne’s “Johnny Too Bad” is a hilarious monologue spoken by a transplanted New Englander and would-be writer experiencing a Florida hurricane alongside his brainy, voluptuous girlfriend Annick and “chronically aggressive” dog Spot. Now that Dufresne has moved south, FFW (Florida’s Funniest Writer) Carl Hiaasen will need to look to his laurels. Equally impressive is Dorothy Allison’s “Compassion,” whose narrator’s unflinching description of her beloved “Mama’s” death from cancer blossoms into a rich orchestration of family contention, closeness, and pride. A somewhat similar story, Donald Hays’s “Dying Light,” depicts the subtly changing relationships among another moribund cancer victim, his frail devoted wife, and their unhappily married, underachieving adult son. Embattled relationships also figure in Michael Knight’s “Ellen’s Book,” which is and isn’t about “a dead baby haunting his father,” and Latha Viswanathan’s breezy portrayal of an Indian matchmaker operating out of Houston via the Internet (“Cool Wedding”). Several stories accomplish what Steve Almond declares the objective of his own fine, wild story of alleged alien visitation, “The Soul Molecule”: “to find a note of grace in the incontrovertibly strange.” Best are Brock Clarke’s Barthelmian fantasy about a victim of divorce who consoles himself by buying the city of Savannah (“For Those of Us Who Need Such Things”) and Ingrid Hill’s literally miraculous tale of a maimed Vietnam vet’s fortuitous collision with stoical black healer “Mother Peaches” (“The Ballad of Rappy Valcour”). And if traditional stories are your thing, don’t miss Paul Prather’s loving depiction of a group of elderly women who shepherd a rundown church through its inevitable demise (“The Faithful”).

Both the familiar and the strange are eloquently evoked and celebrated here: a model anthology.

Pub Date: July 11, 2003

ISBN: 1-56512-395-6

Page Count: 384

Publisher: Algonquin

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 1, 2003

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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A touching family drama that effectively explores the negative impact of stress on fragile relationships.


A middle-aged woman returns to her childhood home to care for her ailing father, confronting many painful secrets from her past.

When Mallory Aldiss gets a call from a long-ago boyfriend telling her that her elderly father has been gallivanting around town with a gun in his hand, Mallory decides it’s time to return to the small Rhode Island town that she’s been avoiding for more than a decade. Mallory’s precocious 13-year-old daughter, Joy, is thrilled that she'll get to meet her grandfather at long last, and an aunt, too, and she'll finally see the place where her mother grew up. When they arrive in Bay Bluff, it’s barely a few hours before Mallory bumps into her old flame, Jack, the only man she’s ever really loved. Gone is the rebellious young person she remembers, and in his place stands a compassionate, accomplished adult. As they try to reconnect, Mallory realizes that the same obstacle that pushed them apart decades earlier is still standing in their way: Jack blames Mallory’s father for his mother’s death. No one knows exactly how Jack’s mother died, but Jack thinks a love affair between her and Mallory’s father had something to do with it. As Jack and Mallory chase down answers, Mallory also tries to repair her rocky relationships with her two sisters and determine why her father has always been so hard on her. Told entirely from Mallory’s perspective, the novel has a haunting, nostalgic quality. Despite the complex and overlapping layers to the history of Bay Bluff and its inhabitants, the book at times trudges too slowly through Mallory’s meanderings down Memory Lane. Even so, Delinsky sometimes manages to pick up the pace, and in those moments the beauty and nuance of this complicated family tale shine through. Readers who don’t mind skimming past details that do little to advance the plot may find that the juicier nuggets and realistically rendered human connections are worth the effort.

A touching family drama that effectively explores the negative impact of stress on fragile relationships.

Pub Date: May 19, 2020

ISBN: 978-1-250-11951-3

Page Count: 416

Publisher: St. Martin's

Review Posted Online: March 2, 2020

Kirkus Reviews Issue: March 15, 2020

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