By turns bawdy and bold, Russell shifts between precise, accurate scientific description and sheer absurdity, which renders...
Struck by catastrophes like a fatal supervirus, 23rd-century Earth has become a world of peaceful, nomadic hunter-gatherer tribes living harmoniously in nature alongside telepathic animal clones resuscitated from the Pleistocene era, until an invention created by an unlikely alliance alters the future.
Connected by a solar-powered Internet, guided by a philosophy called "The Return," humanity enjoys “the best of times, the best of worlds,” as teacher Clare says to Brad, a mathematical genius whose job is to monitor and repair solar computer technology. Clare comes to Brad’s lab to guide him through a spirit-quest that will turn into a world-altering journey. Toying with many origin stories, Russell (Teresa of the New World, 2015, etc.) ties physics to basket-weaving, biology to holography in a convoluted tale riddled with contradiction: if humanity believes in panpsychism, in which all life (including plants) enjoys a consciousness that “is everywhere and in everything” (or TOE, as Brad calls it: the theory of everything), why do people hunt? Even the novel itself asks “how could you hunt someone you could talk to?” and yet Clare has just killed a telepathic saber-toothed cat, albeit in self-defense. And why does telepathy also have “syntax and meaning” when it isn’t a language? Brad, Clare, a bi-gendered hermit named Luke/Lucia, and his/her beloved mutant direwolf, Dog, form an unlikely alliance; after Dog is killed, Brad and Dog’s consciousness (lodged in Luke/Lucia’s cerebellum) discover the key to immortality together, learning how to switch on dead DNA to holographically resurrect not just Dog, but “squirrels, bears, horses, mammoths, mice, deer, camels,” and Clare’s deceased child. But when immortality becomes a possibility, a dangerous rift opens up between the tribes and the immortals, sending Luke/Lucia, Dog, Clare, Brad, and their children into exile.
By turns bawdy and bold, Russell shifts between precise, accurate scientific description and sheer absurdity, which renders this ambitious tale of human hubris quite uneven and eventually implausible.Pub Date: Jan. 5, 2016
ISBN: 978-1-63158-068-0
Page Count: 336
Publisher: Yucca Publishing
Review Posted Online: Nov. 14, 2015
Kirkus Reviews Issue: Nov. 15, 2015
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
A quiet tale that considers the way small, human connections can disrupt the callous powers of authority.
A novelist tries to adapt to her ever changing reality as her world slowly disappears.
Renowned Japanese author Ogawa (Revenge, 2013, etc.) opens her latest novel with what at first sounds like a sinister fairy tale told by a nameless mother to a nameless daughter: “Long ago, before you were born, there were many more things here…transparent things, fragrant things…fluttery ones, bright ones….It’s a shame that the people who live here haven’t been able to hold such marvelous things in their hearts and minds, but that’s just the way it is on this island.” But rather than a twisted bedtime story, this depiction captures the realities of life on the narrator's unnamed island. The small population awakens some mornings with all knowledge of objects as mundane as stamps, valuable as emeralds, omnipresent as birds, or delightful as roses missing from their minds. They then proceed to discard all physical traces of the idea that has disappeared—often burning the lifeless ones and releasing the natural ones to the elements. The authoritarian Memory Police oversee this process of loss and elimination. Viewing “anything that fails to vanish when they say it should [as] inconceivable,” they drop into homes for inspections, seizing objects and rounding up anyone who refuses—or is simply unable—to follow the rules. Although, at the outset, the plot feels quite Orwellian, Ogawa employs a quiet, poetic prose to capture the diverse (and often unexpected) emotions of the people left behind rather than of those tormented and imprisoned by brutal authorities. Small acts of rebellion—as modest as a birthday party—do not come out of a commitment to a greater cause but instead originate from her characters’ kinship with one another. Technical details about the disappearances remain intentionally vague. The author instead stays close to her protagonist’s emotions and the disorientation she and her neighbors struggle with each day. Passages from the narrator’s developing novel also offer fascinating glimpses into the way the changing world affects her unconscious mind.
A quiet tale that considers the way small, human connections can disrupt the callous powers of authority.Pub Date: Aug. 13, 2019
ISBN: 978-1-101-87060-0
Page Count: 288
Publisher: Pantheon
Review Posted Online: May 12, 2019
Kirkus Reviews Issue: June 1, 2019
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