This lengthy biography of Jeanette MacDonald and Nelson Eddy reveals lives as melodramatic and star-crossed as one of their movies—without the happy ending. Author Rich (president of one of four MacDonald/Eddy fan clubs still extant in the US) reveals more about the two lovers than even the most avid fan might want to know, including Nelson's descriptions of Jeanette's ``little nighties.'' The question it leaves unanswered is how the feisty soprano and the lusty baritone, certainly among Hollywood's most popular stars during the late 1930s and early '40s, managed to make such goulash of their love affair. Although both singers regularly denied it, according to Rich, they were attracted to each other from the moment they met. MacDonald was characterized as ``an ambitious career gal with a bad reputation'' and was rumored to be one of Louis B. Mayer's couch tomatoes. Mayer, in fact, frowned on the singers' relationship for professional as well as personal reasons, but cast them in Naughty Marietta, their first film together. It made the duet stars—and brought them to bed after nearly a year of stolen kisses. It wasn't romantic. In a jealous rage, Nelson raped Jeanette, according to Rich. But she forgave him, beginning a cycle of reconciliation and rejection that went on for 30 years, and included suicide attempts and miscarriages. In a rejection phase, MacDonald married actor Gene Raymond (who, she discovered, preferred men as sexual partners) while Eddy wed a possessive woman who refused divorce, in spite of his numerous infidelities (MacDonald was not the only liaison). A source for much of the material, including intimate details of the couples' private meetings, is Eddy's mother, Isabel, via her son's diaries and letters. A filmography is included. A bonanza for MacDonald/Eddy fans, a pan full of nuggets for aficionados of Hollywood and MGM, but an encyclopedic struggle for the less dedicated. (b&w photos, not seen)
Pub Date: Sept. 19, 1994
ISBN: 1-55611-407-9
Page Count: 480
Publisher: Donald Fine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1994
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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