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DIAMOND IN THE ROUGH

A MEMOIR

Ultimately, there’s too much "Of Meds and Men" and too little of the music that made Colvin popular.

A chatty, but only occasionally enlightening, life story from the confessional singer-songwriter.

Three-time Grammy winner Colvin’s life has long been a source for her songs, but it wears thin in her memoir. She’s frank about the many ups and downs of her personal life and career, where the slow climb to commercial and critical success meant overcoming a series of personal disasters: alcoholism, anorexia, clinical depression, panic disorder and numerous broken romances. In perspective, it’s an inspiring story, as Colvin spent years of paying dues and saw her first album, Steady On, win a Grammy. She has overcome a lot, and is apparently content with her life as a respected singer and devoted mother. Unfortunately, the book too often bogs down into the territory of many numbing addiction chronicles, padded with daily affirmations, mad shopping binges and the usual dreary details of life on the road. At times, the book feels like a therapeutic chore. For patient readers and close listeners of her music, there is some payoff when Colvin discusses her songs and the writing process: how “Diamond in the Rough” put her in the odd position of co-writing “a song with someone about breaking up with that someone” or how “if you can get one good line or verse right at the beginning, the song will be set up well for you.” Also: “the act of performing a new song in front of people is the ultimate bullshit detector.”

Ultimately, there’s too much "Of Meds and Men" and too little of the music that made Colvin popular.

Pub Date: June 5, 2012

ISBN: 978-0-06-175959-8

Page Count: 256

Publisher: Morrow/HarperCollins

Review Posted Online: April 3, 2012

Kirkus Reviews Issue: April 15, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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